Another Nos Product by MoogPower

Midnight Oil...Bad Brains

2006-10-29T12:31:00.000+10:00

Midnight Oil
Midnight Oil (CBS 1978)
I was listening to the radio yesterday afternoon & heard a Midnight Oil special, playing mainly older stuff, some rare live tracks, interspersed with some interview material with Peter Garrett. It reminded me how good their early material really was or maybe it just sent many memories flooding back. They built a reputation early as an amazing live band which held steadfast throughout their career & recognised over the world. I used to go to their gigs regularly around this period & into the early 80s as a mid-late teenager.

This was their first album & echoes of their surfing background can still be heard, along with quite a heavy (for the time) rock sound. I'd forgotten what a fine album this really is, until reminded yesterday. The only thing Id say here negatively is this CD version has nowhere near the depth of sound found on album (vinyl).

http://tinyurl.com/y4p29n (@192-256kps)

'Oils' Live 1980

Bad Brains (Live)
Spirit Electricity (SST 1991)
Little needs to be said about this band really either, but they too were recognised as an amazing live act, esp. during the early 80's. The original line-up can still be heard on this release:
Dr Know
H.R
Darryl
Earl

I wouldn't call this release brilliant by any means & it is pretty damn short esp. for a live release where other tracks could have been included. It was recorded in Providence, Rhode Island & LA.

http://url2share.com/heuqb (@224kps)

***Get this, plus other albums & merchandise (T-shirts, caps, stickers etc) from SST Records here.

At CBGB's 1982

Re-Hash...The Clash 'Chaos In'

2006-10-24T15:10:00.000+10:00

The Clash
Chaos in New York
Live 1981 @ Bonds International Casino
Back due to popular demand is this fine Clash 'boot'. I do not normally do this sort of thing, but I figure this one is worth it for those new here.

2 x CD's, just 1 x d'load (144mb)

http://url2share.com/4cwtu

***Will direct you to original post for covers, tracks etc here:
http://tinyurl.com/ydf3vy

Sorry for the 'odd' few who might have just one part of this set (as disc 2 is still alive), making you get both parts together like this, but I thought it would make it easier for the newcomers who hadn't got this at all & I actually had misunderstood some of the requests. I'm just too keen to please. :)

Umar Bin Hassan 'Be Bop Or Be Dead'

2006-10-23T14:30:00.000+10:00

Umar Bin Hassan
Be Bop Or Be Dead (Axiom 1993)
We all remember The Last Poets, those self-styled politcal poetry ('rappers') that begun their careers after the death of Martin Luther King after they were released from jail in the late 60's. Speaking out like no other group before them (certainl)y & even by todays standards they attacked racism, the government, greed etc; stinkingly open, highly critical & even venomous, some much so that they themselves were under constant scrutiny from the government & the FBI, along with those they connected with. Their biography is quite a long one & becomes reasonably complex & I will not go through all of it here. For those interested (& you should be), The Last Poets full story, as well as poetry, can be found in the book On a Mission: Selected Poems and a History of The Last Poets by Abiodun Oyewole, Umar Bin Hassan written with music journalist Kim Green. BUY it here or you can order it from your favourite book store.

However, Umar Bin Hassan (born Jerome Huling) was an original (almost) member & this was his first (1993) solo album under his own name. Produced by Bill Laswell & with an assortment of high profile musicians: Bernie Worrell (keyboards), Bootsy Collins (guitar), Buddy Miles (drums), Aiyb Dieng (charan congas, percussion), Bill Laswell (bass), Adiodun Oyewole of The Last Poets (voice), Umar (voice) & more, it makes for quite a strong release. Similarly styled to what you'd expect from The Last Poets, but with greater instrumentation. Included here are two versions of This is Madness & their often called masterpiece Niggers Are Scared of the Revolution.

Given the Axiom label is no longer & searching around on the net a bit to see the availability of this CD, I can only suggest that you BUY it here, I couldn't find it otherwise. You can order Umar's most recent solo album (2002) Life Is Good & his 2005 collaboration with Leon Mobley, Keeping It Real here.

http://tinyurl.com/y2ccen

Blogger Down? 'Wincing....'

2006-10-22T15:05:00.000+10:00

G'day all,

Just letting you know that for most of today (until now) blogger seems to have been down. So I had time earier on today to do stuff here, but couldn't log in, nor could I even connect to my blog to answer any comments (have done this now though).

So, I spent a little time cruising the net & stumbled across, the new album from The Shins 'Wincing the Night Away', which as I thought was not due out until early next year? Some might be interested in this pre release & I suggest getting this sooner rather than later, as it might get killed (I have no control over this). So here is the link:

http://tinyurl.com/yycvro

All credit goes out to original poster, but there was no name associated at this dex. Cheers!

Jesu 'Silver'

2006-10-19T19:01:00.000+10:00

Jesu
Silver (Hydra Head 2006)
Justin K. Broadrick is Jesu & many will be familar with his work in 'metal' bands Napalm Death & Godflesh & industrial pioneers such as Techno Animal & Ice.

I don't think fans will be disappointed with this release, especailly if they understood where he (Godflesh) was going & quite a way back hints of Jesu can be heard. I sense that he felt Godflesh was stifling & other avenues needed to be explored. After all he'd being doing a similar thing for many yrs (15+?).

Somehow this EP is far more ambient in a heavy way than any dronish efforts of past. Yes ambient is a strange word to be using here, but as with Jesu first self-titled album this too is layered with 'dreamlike' textures.

A wall of guitar sound is present on all tracks, it's pretty much slow (so I've tagged as grindcore), unusally Justin's vocals are found here, but they only add to a more organic feel here & possibly show how Justin was being constrained by past efforts, at least toward the end.

As the liner notes say..."It's an electro-psychedelic symphony."

Get Jesu albums from Hydra Head here.

http://url2share.com/iyys3
(@192-256 kbps)

Koala In The Midst

2006-10-19T14:33:00.000+10:00

Koala in the Midst

Here you can see the koala above the 'nesting' Frogmouth. It had no other access to the branch it was on, other than climbing straight over the Frogmouth. Hence the look it was giving it in yesterday's photographs; it was mighty annoyed & kept a constant eye on it. A disadvantage of camouflage?

*These photo's were all taken yesterday & all were from my balcony (as usual).
It was quite hilarious when the koala wanted to get down late afternoon as the Frogmouth stopped it time & time again - loud shrieking noises & trying to nip at it. By this morning it had gone & the nesting Frogmouth was still in place!

***Please click on the photo's for a larger & clearer view!

Ruler of the Roost

2006-10-18T21:07:00.002+10:00

Ruler of the Roost

It's the Noisy Miner

Distinguished from other miners by dull white forehead merging or quite sharply joining black of crown. Bare skin behind eye is deep yellow with black surrounds.
25-28cm
**It has no fear & is obviously rather persistent; will scare away (easily) larger birds such as ravens/crows, cookaburras etc. It just goes after them either singularly with really loud bird noises & then (quite) often joined by others. They are just so territorial & a bit of a pain really!

Here you'll notice the Miner about to break into a Case Moth or so it seems.

First time I seen the boll weevil, he was sitting on
a square.
Next time I seen the boll weevil, he had his whole family
there.
He's a looking for home.
He's a looking for home.

The old lady said to the old man, 'I've been trying my level
best
Keep these boll weevils out of my brand new cotton dress.
It's full of holes.
And it's full of holes.'
...Now the farmer said to the merchant, 'I never made but one bale.
Before I let you have that last one, I will suffer & die in
jail.
And I will have a home.
And I will have a home.
(Leadbelly, Boweavil Blues)

Frogmouth Nesting

Note : these photos of the Frogmouth nesting in a Eucalyptus tree adjacent to my house are a precursor to some photos I want to post tomorrow. I have a hundred or so to sort through (taken today). This nesting Frogmouth was quite annoyed as it was watching another animal & at that time I had no idea about it until a little later.. Aaaah nature in action, just beautiful.

***Please click on photo's for larger & clearer view.

And Of course all of these photo's were taken from my balcony, these just today & the following (tomorrow's) ones.

Sacred Sources 1 Live Forever 'Various Artists'

2006-10-18T20:03:00.000+10:00

Sacred Sources 1 Live Forever
Various Artists (Guts & Grace/Polydor 1993)
With the exception of Marvin Gaye's 'Joy' none of the music here had ever been released in its entirety at the time of this release. (I cannot confirm this now). Roughly a minute or so of 'Ogunde' & two mins of 'I don't live today' had been available on CD & video respectively. This was the first release on Carlos Santana's own label with material he had collected or had been provded by the musicians' heirs/estates etc. I don't know whatever became of this supposed series b/c I never saw another release in this series. Maybe I just missed them?

This collection is quite reasonable, although the recording quality isn't the best at times, but the performances are still very good. And I like the link b/w rock, r & b, reggae, blues & jazz.

So who's on this disc?
Jimi Hendrix
Marvin Gaye
Bob Marley
Stevie Ray Vaughn
John Coltrane

As usual please see comments for track list.

http://url2share.com/316nn

Mr Elvin Jones

2006-10-17T21:24:00.000+10:00

I'd be hard pressed to think of another jazz drummer (or of any other genre) as my all time fav...so few drums, such a big sound & what an amazing sense of timing with all those polyrhythms. And for all you 'rocksters' there'd hardly be a Mitch Mitchell if it wasn't for:
Mr Elvin Jones.
Check this:

He's just got the rhythm, fast on the skins or slow with the brushes he just always had the vibe.
Without doubt one of the most accomplished drummers ever.
RIP Elvin

Pan - American 'Quiet City'

2006-10-17T15:26:00.000+10:00

Pan - American
Quiet City (Kranky 2004)
Mark Nelson of Labradford (also posted here some time ago) is Pan - American & this was his fourth album release. Somewhat computer based, but still with live instrumentation gives this album a somewhat organic feel, without the need to rely on continual loops. Slow & somewhat hypnotic, yet not too melancholy, this is quite an inviting 'soundscape' & there is even some singing here. While a number of the tracks play for just under 10 mins, with this release there seems to be a better understanding of what should be left off to keep ones interest level up & thus here the longer tracks are interspersed with a few shorter tracks. Arguably, the strongest Pan American release up until this point. Note there is a new album (2006) For Waiting, For Chasing that was recently released.

"The result is a deeply nocturnal, hushed recording that moves in several
directions at once. The textures come in waves rather than layers, but they
lap at the unconscious rather than in your backbone. They don't swirl so much as undulate, and the various pieces become one dark rainbow body of restrained, humid, sonic inquiry that goes nowhere and everywhere at once. Brilliant." Thom Jurek

This CD also includes a 'bonus' DVD (not included here), that is sort of like a history of everything Pan-American has done to date in a very ambient way, assisted by Chicago visula artist. Annie Feldmeier.

Mark Nelson: Electronics, guitar, voice and mix
w/ Charles Kim: upright bass, tracks 4 and 5
Tim Mulvenna (Vandermark 5, Jeb Bishop Trio/Quartet): drums, 4 and 5
Steven Hess (Hat Melter, Bosco & Jorge, Aluminum Group): drums, 7
David Max Crawford (Poi Dog Pondering, Wilco, Stereolab): trumpet on 5, flugehorn on 7

Get this & other releases by both Pan - American & Labradford via Kranky right here.

http://tinyurl.com/yktbdm

KoalaBabe

2006-10-14T20:25:00.000+10:00

KoalaBabe
Sorry 'bout the somewhat dark & blurry photo here, but just after 6pm this evening I saw a rather 'unusual' looking animal running about 60 metres away in my neighbours property. It was a koala with young on its back. I DO NOT see them around here all that often, but I think with young on its back kind of changed its shape & made it look much bigger with a different kind of outline.

It was being chased by a number of birds (Magpies), why I am unsure, but I suspect for territorial reasons. So the koala with offspring halted its progress & began climbing up a tree all the while being harassed by these birds (Currajong's). I quickly grabbed my camera & ran outside to take some pictures. Unfortunately it was already getting dark & really when using my zoom lens I need a tripod, otherwise I risk (especially when in almost darkness), my photo's being blurry.

Here's one photo (only), it's just a silhouette in almost darkness, but at least you get the picture. And yes you guessed it...this was taken from, well not exactly my balcony, but ground level. The branches were totally screening out the koala once it had reached almost the peak from the balcony.

Folks, I'm telling you something that I saw with my
own eyes
As I passed the pond one day.
The old alligator was teaching his babies to do the
Georgia Grind.
And I heard one of them say,
This is a social, but alligator's pond going dry,
Yeah it is a social but alligators' pond's going dry.
Now old Mr Alligator, he got way back
He said, "look out children, I'm (trowing waer off my?) back.'
Aww. it was a socail, but alligators pond went dry.....
Well, if you don't believe what I'm saying, ask old
alligotor Jack...'
Victoria Spivey

Please click on picture to see a bigger view.
(Sorry it isn't so clear, but 'we' were all quite excited about it here. Maybe tomorrow if it doesn't 'leave' too early I can get some better snaps).

Dmitry Shostokavich 'String Quartets Nos. 7, 8 & 9' (Brodsky Quartet)

2006-10-14T16:01:00.000+10:00

Dmitry Shostakovich (1906-1975)
String Quartets Nos. 7, 8 & 9
Brodsky Quartet
This is a mid-price (if I recall) reissue of the highly regarded & often recommended Teldec (1989) complete string quartets played by the Brodsky Quartet.

Shastakovich wrote his first symphony when only 19, but turned to chamber music relatively late in his career. For him the quartet was one of the most difficult music genres. The restrctions of just 4 stringed instruments & their limited possibilities reveal a true master of his art.

Some may say that the quartet work of Bartok was the greatest of last century & that the body of string quartets by Shostakovich stands well alongside Bartok's most impressive body of work.

String Quartet No. 7 (1960)
String Quartet No. 8 (1960)
I understand both are considered funeral pieces & it's easy to hear the oppressive nature of this music - dark, but nonetheless strikingly beautiful. No. 8 was written in only a short time after he spent time in Dresden a city that still lay in ruins after the bombing in WWII. The music profoundly tragic contains a dedication that runs throughout the piece: 'In rememberance of the victims of Fascism and war', with an anagram; D-E flat-C-B (in German notation D-Es-C-H, the initials of his own name).
String Quartet No. 9 (1964)
This piece was dedicated to his wife (I assume 2nd as Nina died in the 50s). It has a certain serene 'classical' feel & in parts rather elaborate displaying his intricate skill in chamber composition.

~~http://tinyurl.com/y9vhdp~~ (vbr @160-256)
Host has killed file already am working on re-upping now. Will not use this host again. Thanks!

New Link:
http://url2share.com/h4jh1 (vbr @160-256)
I hope this host doesn't delete & d'load speeds are acceptable. Cheers!

Seraphina Quartet
String Quartet #8

The girls are good (esp for a young quartet), but not quite the same as Brodsky Quartet

AfricaFunk 'Return to the Original Sound of 1970s Funky Africa'

2006-10-14T11:13:00.000+10:00

AfricaFunk
Return to the Original Sound of 1970s Funky Africa
Various Artists (Harmless Recordings 2000)

Including:
The Rwenzori's
Matata
Fela Kuti
Manu Dibango
Oneness of Juju
Tony Allen
And More

This one now seems to be out of print, maybe your local music store can order you a copy via a distribution agent or might still have one on shelf, but via the label it seems to be no longer.

http://tinyurl.com/yavsj7

Freddie Hubbard 'Straight Life'

2006-10-11T22:24:00.000+10:00

Freddie Hubbard
Straight Life (CTI 1970)
Who am I to argue...AMG gives this ***** (5 stars). Yes there is an all star cast:
Freddie Hubbard
Joe Henderson
George Benson
Herbie Hancock
Ron Carter
Jack DeJohnette
Richie Landrum (percussion)
Welson Irvine (tambourine)...I like this guy & have a few of his solo albums.

But I don't think it's my fav by Mr Hubbard.

Jazz/soul/funk...Digitally remixed & remastered. Engineered by the one & only Rudy Van Gelder & produced by none other than Creed Taylor, founder of CTI records. Not wanting to say much about the label either good or bad, I just (out of interest) wanted to mention that most CTI records generally had Ron Carter's name associated. It seems he was like the 'house' bass-man for the vast majority of albums to appear from CTI.

http://tinyurl.com/o3ukz (@VBR 192-256kps)

Calvin Johnson 'Before The Dream Faded'

2006-10-10T13:30:00.000+10:00

Calvin Johnson
Before The Dream Faded (K Records 2005)
Does anybody remember Beat Happening in the mid 80s-early 90s? Calvin Johnson then went on to form Dub Narcotic Sound System. And during his time has had his own record label, staged internation music festivals & has been a producer & engineer to bands such as Jon Spencer & Beck.

In 2002 he released his first solo album under his own name & in 2005 released this, his second album. Typical from Johnson this is quite a quirky release & in its own way explores new terriotires, but unfortunately is a bit of a mixed bad & therefore, I'd say, not really up there with his best efforts over his 20+yr career.

Nonetheless, according to Jennifer Kelly... "This is a deeply individual and meticuloulsy eccentric piece of work. The voice is just a speed bump making you slow down and appreciate the carefully considered oddity of the music and lyrics. Besides, if you spent time with Beat Happening, you probably jumped it years ago."

For those in Australasia buy it via Popfrenzy records here or elsewhere via Krecords here (add to cart).

http://tinyurl.com/mjpvu

Spain 'She Haunts My Dreams'

2006-10-10T08:36:00.000+10:00

Spain
She Haunts My Dreams (Restless Records 1999)
Jazzman Charlie Haden couldn't get his son to play his style of music. Instead Josh (Haden) plays (same instrument), but sings to his slow & melancholic music. His voice, although without a large range is gentle & smooth.

I have often wondered what happened to this band after their final effort 'I Believe' (2001), but I do understand they are a Love 'em or Loathe them sort of band. Also I think they hardly ever toured which makes the financial end of things even tougher.

Well I liked all three of their albums, but I think this the second (1999) was their strongest. Their first album 'Blue Moods...' was somewhat of a cult 'hit' & was very much about smokey clubs & the promise of alluring women. However, here it is more about the day after & the way things never seem to work out. The lyrics although not especially new or overly interesting are held together by the 'moving' music, which draws out an almost profound feeling for these songs. It's sort of like something you might hear late night in a bar & puts into words the pain & lonliness that sent you there in the first instance. And make no mistake you can defininitely sing along with this one.

Resless Records was bought by Rykodisc a number of years back & looking at their web site it appears their online store is temporarily closed. You can either check back with link provided above or check in with you local music store for this album.

http://tinyurl.com/zmk3x

Black Ox Orkestar 'Nisht Azoy'

2006-10-09T09:57:00.000+10:00

Black Ox Orchestar
Nisht Azoy (Constellation 2006)
Somebody recently told me that whilst they really like this music blog, they found little to sing along with. I thought to myself that could be right & there is nothing more than I love than strong lyrics & singing along myself.

This is the second release from Black Ox Orkestar & it assembles members of Sackville & Silver Mt. Zion. What is found here is a brilliant work of accoustic klezmer & European folk songs amidst Black Ox originals & reinterpretations. In general this is quite a 'dark' album & most certainly emotive & moving. The tracks with vocals (not all tracks have vocals) are sung in Yiddish (I think?), although I see the lyrics printed in the booklet in either English or French. The beauty of the language is that unless you are familiar with it you can just sing or even shout out anything that sounds similar & you feel good. You can feel the pain, but you can sing it away.

I would have to say that this is one of the strongest releases of any genre I've heard this year. Unique & powerful with superb instrumentation, but I should add; it's most likely not everybody's cup o' tea.

Personnel:
Thierry Amar: contrabass
Scott Gilmore Levine: mandolin, cymbalom, guitar, saz, violin, percussion, voice
Gabe Levine: clarinet, guitar
Jessica Moss: violin
Plus various guests including drums (trk 5,6,7), trumpet et.al

Buy this one plus first release (Ver Tanzt? - note this is not a question as to title, that's what it is actually) at Constellation here. This is also available as 180g LP. Love that vinyl.

http://tinyurl.com/ec9df

Bluish

2006-10-08T13:04:00.000+10:00

I feel just like I'm going crazy baby, I think I'm going
to have to commit suicide. (x2)
Oooh, everytime I look at you, baby, something happens deep
down inside.

I been thinking 'bout using cyanide acid, baby, but I'm
afraid that might work too slow. (x2)
Yes, I guess I'm gonna have to use, use, use, baby, ooh,
my, my forty-, my forty five.
(Little Oscar, Suicide Blues)

And From My Balcony...

...It's All So Bluish

*Please click on pictures for a larger & clearer view!

You never get nothing by being an angel child,
You better change you ways and get real wild.
'Cause wild women don't worry, wild women don't have
the blues
(Ida Cox)

It's All Just a Stroll in the Park!

2006-10-07T11:45:00.000+10:00

It's All Just a Stroll in the Park

Roots
*Note the shape of these buttress tree roots; a distinctive feature of rainforest tree species.

Vines & Lianes
Another distincitve feature of rainforests are the variety of vines/lianes & their interesting shapes.
One here is obviously designed for man to get down from his tree house;
Two on the left you might think is a tree trunk but is actually a strangler fig.

Interesting hey Mr Conte?

Si, Si Mr Moog

***Please click on the photographs for a larger & clearer view!

A Change of Scenery: Birds

2006-10-06T15:26:00.000+10:00

A Change of Scenery...
Birds
I have decided to change the scene around here...With the closure of Mr Lucky's World of M, Open You Arms & Welcome with Detectiefvanzwam & a number of other fine blog recent departures I'm now going to turn this into a photography blog. The main subject will be birds, wildlife & nature in general or the environment in its many guises.

I'm going to start this off with a few pictures I've taken over the past year or two & that I have handy on my computer rather than searching through storage. I hope to now concentrate on taking more pictures & spend some of my free time accordingly. I look forward to a bunch of enthusiastic comments relating to my new endeavours. Thank you & enjoy your viewing time here!

***Please click on the photographs for a larger & clearer view.

Rainbow Lorikeet
Caption: Lovers
Noisy with distincitve screech, usually nomadic in search of food, often in large flocks.
Length 28cm

Tawny Frogmouth

Often called a 'Mopoke' it is an owl-like bird, but technically not so. Comes out at dusk to begin hunting, during day camouflages in trees or on old fences while it rests.
Length 40cm.

Yellow-tailed Black Cockatoo
Caption: Black Cocky
Large Black Cockatoo. It is said when you hear them in groups squaking there will be a storm.
Length 60-70cm

Austrlian King Parrot
Feeding from my balcony.
I have stopped doing this now for two reason:
1. they make a mess esp. when masses of Lorikeets join in the feast
2. I don't think it is good to feed the wildlife
This is a male, females have a lighter (dull) green body & head, a blue rump with a dull red underbelly.
Length approx 40cm.

All of these birds have been photographed from the balcony at my house. I hope you enjoy this first installment & for some see some new bird species particular to various regions of Australia only. I think my next post will be a couple of photographs in the rainforest nearby or possibly some wonderful vistas from the lookout just walking distance from here.

Damn it....and I can't even get the html right here,I might have to give this whole thing away altogether, it irks me so!

Krzysztof Komeda 'Astigmatic' & Tomasz Stanko Septet 'Litania Music of Krzysztof Komeda

2006-10-05T12:00:00.000+10:00

Krzysztof Komeda
Astigmatic (Power Bros Records 1998 CD reissue, Original 1965)
*Note this CD comes as CD-ROM, with a filmed interview of Sofia Komeda (Krzysztof's wife), but I have not included it here.

Komeda is a legend of the Polish jazz scene, who died tragically at the early age of 38. Komeda is generally credited for the rise of Jazz in Poland in the 50's. Although possibly better known for his many film scores including various works with Polanski, (notably in the West for Rosemary' Baby). This was a time in which certain filmakers chose to place emphasis on sound in virtual balance with images.

However, as a jazz pianist & composer he was best known for his free- jazz stylings, although arguably as a soloist not so. Yet it is his piano work the sets the tone & pace of each piece highlighting his often dramatic & certainly emotive compositions. And this is regarded by most as the pinnacle of his work.

Recorded: Warsaw, December 1965
Performed by:
Krzysztof Komeda - piano
Zbigniew Namyslowski - alto sax
Tomasz Stanko - trumpet
Guenter Lenz - bass
Rune Carlsson - drums

Get this & more excellent releases directly from Power Bros here.

http://tinyurl.com/fm4wm (@224kps)

Tomasz Stanko Septet
Litania: The Music of Krzysztof Komeda (ECM Records 1997)
Stanko worked on all of Komeda's Polish soundtracks from 1964 onwards & despite occasional lineup changes for concerts & various other performances he was a constant from 1963. It is that unique association that brings this release together & attempts to peer into the shadowy realm of Komeda with 'darker' tracks such as Litania & Requiem.

All compositions: Krzysztof Komeda
Arrangements: Tomasz Stanko
Performed By:
Tomasz Stanko - trumpet
Brent Rosengren - tenor sax
Joakim Milder- tenor & soprano sax
Bobo Stenson - bass
Palle Danielsson - double bass
Jon Christensen - drums
Terje Rypdal - guitar*

To Buy this release go to ECM here.

http://url2share.com/hsbsn

50 Foot Wave 'Golden Ocean'

2006-10-04T19:56:00.000+10:00

50 Foot Wave
Golden Ocean (4AD 2005)
I've never overly been a fan of Kristin Hersh solo or The Throwing Muses, so maybe what I say here does not reflect what a previous fan might think. Or to the contrary I may be able to hear her current project with an objective viewpoint; free from what others believe she should be doing or what this should have sounded like.

Well I like it...11 fast driving tracks belting out with little respite. And her vocals are a rocking surprise - harsh & raspy, without any of the past often 'dulcet' tones. There is no doubt this project is a midlife re-invention, but I hardly call it a crisis as it shows that age is no barrier for rock out & certainly does not mean one has to mellow & simply settle down. Clearly she has wanted to re-invent herself by way of rocking out & without doubt she has achieved this remarkably well with no let-up & naturally (or so it seems) with some excellent guitar lines from Hirsh herself. And the name of this name band is so aptly titled & quite correctly sums up the music. Further, there is something about this release that harkens back to Husker Du's Zen Arcade; it's hard edged & tough, yet fresh & it sounds quite sincere.

http://url2share.com/2t65i

You'll be happy to know that 4AD Records has this album for you, plus previous EP Bug (2004) here.

Graeme Downes (ex Verlaines) 'Hammers and Anvils'

2006-10-03T18:16:00.000+10:00

Graeme Downes
Hammers and Anvils (Matador 2001)
This was (2001) the long awaited solo album from founding, (back in the early 80's) ,Verlaines singer/songwriter & without doubt one of the pioneers of the New Zealand pop/rock scene. Downes plays all the instruments (guitar, trumpet, clarinet etc) on this self titled debut. With strong lyrics throughout, this is somewhat a mixed release, nonetheless the finer moments are indeed quite brilliant & shows what this 'almost' legendary composer is capable of when at his best. In between the better tracks I suspect much is a matter of personal taste; some might say his music is sublime & at the other end others too mellow & quite boring. What also may be missing or at least different for past followers of Verlaines is the absence of a band & possibly the spontaneity that a groups presence provides.

Given past achievements of Verlaines this is a fair addition for followers of Graeme Downes work & for those interested in New Zealand pop/rock generally, such as The Clean, The Chills etc.

Buy this album from Matador here or for those in Australasia via Flying Nun's preferred supplier here.

http://url2share.com/bf51f

Cordara Orchestra 'The Best Of'

2006-09-30T13:37:00.000+10:00

Cordara Orchestra
The Best Of (Irma Records 1997)
"Carlos Cordara represents a classic example of the strength & quality of the Italian Easy Listening scene in the 60's & 70's. He studied music &, still very young, he obtained his diploma in the piano & as conductor of an orchestra.

For many years accompanied singers of light music and with his orchestra he proactically toured the globe; he regulary filled Italian dance floors & nightclubs in particular those enshrined in the legend on the Roman 'Dolce Vita' & the Adriatic Riviera scenes. Playing in the USA he was one of the first Italian composers who mixed jazz sounds with rhythm & blues & black music. Cordara worked regularly on the production of music used in documentaries, television news & radio programmes...

This incredible composer always declared himself as part of the avante-garde & experimented in a wide range of musical forms. Waht is os special about all the tracks on this record is that these compositions were recorded in the studio with absolutely no artistic or stylistic restrictions, in complete freedom, something which is almost unthinkable today. It is probable that the musicians & composers who were making records at that time were better trained & theyclearly enjoyed the buzz of continuously trying new styles while at the same time playing with other professionals...

A composer of enormous talent but above all a man who loved and continues to love & enjoy playing his special music." by SCANNA (Smart Researcher).

Carlos Cordara: Electric & Accoustic Piano
Marco Ratti: Bass
Carlo Russo: Guitar
Giancarlo Barigozzi: Alto & Tenor Sax
Hugo Heredia: Tenor Sax & Flute in C
Nando Nebuloni: Tenor Sax & Flute in G
Astor Pittana: Trumpet & Flugelhorn

*All tracks composed by Carlos Cordara

http://tinyurl.com/mpsjh

Anita Lane 'Sex O' Clock'

2006-09-29T13:48:00.000+10:00

Anita Lane
Sex O' Clock (Mute Records 2001)
Please DO NOT let the cover, with baby blue 'designer' suit, fool you here. This is the same Anita Lane who co-wrote Kiss Me Black & Dead Joe with Nick Cave for the Birthday Party Junkyard album almost 25yrs ago now. Although here she has long moved beyond punk/goth expressions into a more singer/songwriter type oeuvre, along the lines of Leonard Cohen's more 'edgey' tracks.

Although never at the forefront of women's rock, she has a loyal following & I believe that if she chose she could have been thought of with other somewhat defiant female rockers such as P. J. Harvey.

Anita tends to speak as much as she sings with a low & often sexy voice in a style reminiscent of many a French songstress. The album begins with the Gil Scott Heron track Home Is Where The Hatred Is & being a Gil fan that's a mighty fine beginning. The album closes with the traditional popular Italian tune Bella Ciao (celebrating anti-fascist resistence in WWII), with little more than occasional piano & accordion. The album is produced by Mick Harvey (Bad Seeds etc) & who plays most of the instruments aside from drums (Thomas Wylder tracks 1 & 4) & violins, viola, trumpet, horns.

Although not a brilliant album it is certainly worth a listen, especially for those not familiar with her work, but think that Tori Amos et.al are the only female singers 'speaking out' & for those interested in Nick Cave/Bad Seeds related projects. Overall this is certainly an above average release.

Buy this album & other Anita Lane releases from Mute Records here.

http://tinyurl.com/onj94

Coolin' 'A Soul Jazz Journey'

2006-09-27T14:55:00.002+10:00

Coolin' A Soul Jazz Journey
Various Artists (pHo Records 1996)
'Rare Groove' jazzy sounds on this pretty good compilation. Very listenable, with it's combination of hammond, vibes & easy lounge atmosphere.

See comments ( as usual) for tracklist & artists, hopefully this will give you more of an idea what's happening on this one. All of these tracks, except for #7 are from the Muse label. Track 7 was originally released on Landmark (1974).

http://tinyurl.com/e9gx8

BTW, I believe this disc is now out of print

Teodoro Anzellotti 'Erik Satie Compositeur de Musique'

2006-09-25T18:43:00.000+10:00

Teodoro Anzellotti
Erik Satie Compositeur de Musique (Winter & Winter 1998)
Music for solo piano written by Erik Satie.
Teodoro Anzellotti: Accordion
[His] life takes a solitary, even ludicrous course. yet he encounters this with irony and distance. He differentiates himself smiling from nonesense. At the same time Satie takes paths into the depths, into the abyss - into the meaning of life. He always remains the pauper who can keep nothing, but always loses, in the end himself - and who thus possibly finds truth.

So here we have Satie's music played on accordion by the Italian 'avant-garde' classical master Anzellotti. And for those who give little credit to the accordion, you should give this a serious listen. Some 'beautiful' Satie music played to perfection by a perfectionist of his craft. You'll hear the complete Sports et Divertissements & Gnossienne's, plus Three Elegant Waltzes By A Pansy & more.
I like it!!!

http://tinyurl.com/ntpxa

Squeezorama Lucky - I hope you don't have this one - 'cause it's for you - mein guter Freund.

***Please note that Eugene has 'shared' an Anzellotti/Kagel album for 'us' to have a listen. You will need to see the comments here to find out the necessary details. Thank you Eugene, I for one, am very interested in having the opportunity to hear this interesting album - appreciated.

Sorry about the very small font here, I've tried to fix the html, but I just can't work out where this problem has occured?

Ennio Morricone 'Crime And Dissonance' (Dbl Disc)

2006-09-24T12:42:00.000+10:00

Ennio Morricone
Crime And Dissonance Dbl Disc (Ipecac 2005)
I really liked this review & certainly could not have said any more or less in such an expressive way.
"...Never has his music from the strange films he scored in the 1960s and '70s been showcased in such an original and powerful way. Patton has looked closely into the experimental nature of the maestro and found plenty here to offer as well as to crow about. Many of the scores he chose from would be known only to cineastes of minor and obscure Italian films. Yet, Patton understood that Morricone loved his own process and treated crime and exploitation flicks like L'Anticristo and Forza G with the same delightful sense of adventure that he approached The Godfather and The Mission with. Here, all manner of strangeness is on offer: from psychedelic guitars and tripped-out wordless vocals to sitars, layers and layers of percussion, acid-drenched strings, an Echoplexed celeste, toy pianos, psychotic operatic voices in chorus, and more. And this is no novelty compilation. It is sequenced with taste and depth. Most of the music here was conducted by the great Bruno Nicolai, and thematically moves from dark to ecstatic to just plain weird in a seamless fashion. In presenting Crime and Dissonance in this manner, Patton has given listeners a much wider view of Morricone not only as a composer, but as a sonic experimentalist. This is one of those must-haves for just about everybody interested in music just off the beaten path enough to conjure strange dreams and perhaps even nightmares." By Thom Jurek

I'd say briefly that while this is definitely a very strong compilation, not everything works to perfection (as little often does) & I think some of the work on the 2nd disc sounds a bit confused, but otherwise this is quite brilliant.

This release is on Mike Patton's (Faith No More, Mr Bungle, Fantomas, Peeping Tom & much more) own label Ipecac, is put together by the highly regarded artist & musical curator Alan Bishop & includes liner notes by John Zorn. The link provided for purchase as found on Ipecac site (see link above 'this release') is here.

All selections composed by Ennio Morricone except:
Memento (from the film L’Istruttoria E’ Chiusa: Dimentichi) by Ennio Morricone with the collaboration of Walter Branchi for the electronic music;
Seguita (from the film Gli Occhi Freddi Della Paura) by Gruppo Di Improvvisazione Nuova Consonanza;
Il Buio (from the film L’Anticristo) by Ennio Morricone and Bruno Nicolai;
Folle Folle (from the film Gli Occhi Freddi Della Paura) by Gruppo Di Improvvisazione Nuova Consonanza

Both Discs Together (i.e 2 discs, but 1 d'load):
http://tinyurl.com/pr3ma

August Born 'August Born'

2006-09-21T17:57:00.000+10:00

August Born
August Born (Drag City 2005)
For those not in the know August Born are Ben Chasny (Six Organs of Admittance, Comets on Fire) & Japan's Hiroyuki Usui (Fushitsusha ('L'), Marble Sheep & early Ghost) & best known for his psychedelic masterpiece with L, Holy Letters. And it is this album where one can hear a strong influence for sounds heard on Six organs of Admittance.

Thanks to journalist and Japanese music lover Alan Cummings, Usui and Chasny started an e-mail-based conversation that became collaboration through mail. Chasny sent off a nugget of sound, Usui added to it and sent it back & so on. Cleary the music feeds of each other as the artists must have been eagerly waiting for each new sound or piece of music to arrive.

It is a mellow, yet experimental work based on the idea of 'fortuitous mistranslation.' The various poles of influences are evident, yet somehow there appears to be a natural sybiosis & meshing of the sounds. Whilst the album may seem like just a rough & haphazard work, further listenings will guide you otherwise. Chasny appears to defer to his highly respected partner most often, yet is still heard in quite a convincing manner in more subtle ways.

Looking forward to more from these guys - that's for sure!

August Born = Hiroyuki Usui (vocals, guitar, banjo, tambura, harmonium, vibraphone, bass guitar, didgeridoo/yidaki (this is the proper indigenous word), drums, conga etc);
Ben Chasny (vocals, guitar - accoustic & electric, autoharp, recorders)
& Ryan Hilderbrand: Field Recordings (trks 1 & 4)

Get this via their label Drag City.

http://url2share.com/hxazv

(All images are copyrighted by their respective owners)

Erik Friedlander 'Maldoror'

2006-09-20T20:14:00.000+10:00

Erik Friedlander
Maldoror (Brassland 2003)
For those that are familiar with this 'Downtown Scene' cellist Erik Friedlander it is surprising to note that this was his first solo work. Having worked for years with the likes of Zorn, Dave Douglas through to Laurie Anderson et.al & leader of groups such as Chimera (w/Chris Speed, Drew Gress, Andrew D'Angelo) & Topaz, he is regarded as the premier cellist in the improvised music scene.

The idea behind this recording was that the producer (Michael Montres) would present a piece of 19C French surrealist poetry & Friedlander would immediately improvise based on the feelings & impressions he felt. These excerpts were from Comte De Lautreamont (1846-1870) Les Chantes de Maldoror. Excerpts from these poems can be found in the liner notes. His interpretations of these poems are quite striking with a sense of flow & unwavering energy with a certain mythical or haunting beauty. Although definintely avante-garde there is little that can be regarded as atonal & hence this album is reasonably accessible. And although one can hear the usual depth in his cello there is not really a single piece that stands out to be listened on its own, but rather much of the strength shines through if this album is listened to in its entirety. This is quite a strong release from an unquestionably talented musician.

Brassland suggests (according to their website) buying this & their other releases oddly enough right here.

http://tinyurl.com/l8m8s

1 Mile North 'Minor Shadows'

2006-08-26T16:33:00.000+10:00

1 Mile North
Minor Shadows (Bing 039, 2003)
Post-rock seems to be a term that covers just about any music that is played somewhat downbeat & essentially instrumental based. Gone are terms such as ambient, electronica/chill (unless you're in the 'dance' section), minimal & experimental to name a few. Bands such as Rachel's & Clogs are probably closer to 'neo' chamber classical than rock, but still they get tagged as post-rock. This new York duo (John Hills: guitar & Mark Bajuk: keyboards) who together are 1 Mile North make soundscapes that are somewhat dreamy, but definitely minimalist in approach.

Some may say you need patience or an ear for this kind of music. I tend to disagree & believe it's more of a mood type of thing. If you are never able to listen to quieter pieces of music (I do not mean volume, but tempo), then I gladly accept that this is not for you. However, if you do appreciate moments that require reflection, peace, et.al then this album & others in this genre may be to your liking; or at least I'd hope so!

It's the kind of music that possibly might become a soundtrack to either an eerie or left of field movie (the 1st track is absolutely calling out for this kind of treatment). There is subtlety here, but you do need to listen. And what is rather ineresting about this duo's music is a sense of the past greats of this genre in the mix; most notably due to the use of analogue keyboards that heightens a sense of reality (realness?) in this music. I think it's fairly easy to say if you like music in this genre, you'll really like this & for those unfamiliar listen up 'cause they'll take you on quite a journey.

To buy this album & the bands first album 'Glass Wars' (2001), visit the labels site here & click on sound to purchase either of the albums.

http://tinyurl.com/gn5he

Chuck Prophet 'Age of Miracles'

2006-08-25T19:25:00.000+10:00

Chuck Prophet
Age of Miracles (NW 6062, 2004)
Chuck Prophet, notable to some as a Green on Red member (Fender Telecaster) in the 80's. In the 90's as a solo artist most of his records were fairly 'roots' orientated. However, since the beginning of this new century he has not been constricted to a single genre. Different sounds & styles sit side by side here & work well together. A random selection of tracks one may find blues, rock, funk, r&b, some electronica & even kind of hip-hop. And with the various musical directions there is a slightly uneasy sense (in a good way) as it tends to make one feel the music is not stayed (like in a static vacuum).

Lyrically this is quite smart, with tales of lovers, injustices etc which by the way can bring out a smile as it isn't all doom & gloom. If this guy would have some radio station airplay there are a number of tracks here that have the potential to become pop song hits. Don't let this put you off as I'm not talking about some schmaltz (spelling?) as the American's would say, but just some excellent songwriting.

I don't know that this release is as strong as his 2002 effort 'No Other Love' still there is enough 'good stuff' here for many listeners to take something away from the many finely crafted songs.

To buy please online order from the label.

http://tinyurl.com/pk5oy

Jim O'Rourke 'Terminal Pharmacy'

2006-08-24T21:18:00.000+10:00

Jim O'Rourke
Terminacy Pharmacy (Tz 7011)
Highly prolific Chicago guitar improviser, keyboardist, tape manipulator, composer and producer Jim O'Rourke is rather conveniently known in the rock world as a core member of, first, Gastr del Sol and more recently Sonic Youth, but he has also recorded solo, been involved in Red Krayola, written for the Kronos Quartet, produced Faust, 'got together 'with Henry Kaiser and K.K. Null and worked or had a hand in many other projects (too many to mention).

Gentle rattles, footsteps, atonal notes emplying a number of cellists & accordian players, but still not enough to encourage those not used to this kind of 'music' to feel that very much is being played. Some kinda fine 'textural' moments here, but I think he's done better since. What do you think?
http://tinyurl.com/ltdyb
This album should be bought from the Tzadik label here or otherwise ordered via a 'good' music outlet.

Enrico Rava/Dino Saluzzi Quintet 'Volver'

2006-08-23T20:15:00.000+10:00

Enrico Rava/Dino Saluzzi
Volver (ECM 1343, 1988)
I thought on the back of the accordian assault of my previous post, I'd present a little bandoneon music. I'm more of a fan of Dino Saluzzi (Bandoneon), than Enrico Rava (Trumpet) whom I'm not overly familar with, but happens to appear on the first 'Saluzzi' album I ever bought. I would not say this is his greatest album, but I recall being rather transfixed with the 3rd track in particular Lunar-Volver, which got me to buy it at the time. It's quite a slow & atmospheric track that sounds as if it has much sorrowful meaning. A relatively low key album, but still has its moments of beauty. BTW - this is jazz!

You can order this album online direct from the label.

Enrico Rava: trumpet

Dino Saluzzi: bandoneon
Harry Pepl: guitar
Furio Di Castri: bass
Bruce Ditmas: drums

http://tinyurl.com/zoucv

A Balkan Introduction (Gypsy 'Funk') 'Kocani Orkestar, Taraf de Haidouks & Mahala Rai Banda

2006-08-22T20:37:00.000+10:00

Kocani Orkestar
Alone At My Wedding (Craw25 ,2002)
This band hails from Kocani (from the New Republic of Macedonia 'ex-Yugoslavia) brass band with a muscular rhythm section showcasing tracks played by Gypsy bands during Macedonian weddings. Their music is based on various gypsy tunes originating from a number of Balkan parts.
Don't be too worried about the fact the music is intended for weddings, there is obviously loads of high spririted dancing. I certainly like this album.
http://tinyurl.com/hxm48

Taraf de Haidouks (Band of Brigands)
Honourable Brigands, Magic Horses and Evil Eye
(Craw 13, 1995)
Taraf de Haidouks are currently the most significant and most famous Gypsy ensemble in the world. They are a group of traditional & multi-generational musicians from the small town of Clejani South of Bucharest. On this particular release the band has 22 members.

Sure this is folk music, but not in a dry sense, this is music to entertain & have fun. Some tracks on this disc are slower than can be heard on other albums & this reflects the sorrow of the social & political life in Romania over the greater part of the 20th Century.

Taraf de Haïdouks had never performed outside their native region before being discovered by Stepháne Karo and Michel Winter, two young Belgian music fans who fell in love with their music during a trip to Romania in 1990. Not long after their 'discovery' they began touring & it wasn't all that long before they were playing sell out tours the world over. Even music magazines such as 'Mojo' have devoted many pages including a 4 page article to this disctinctive band of artists. Truly potent music from the hardest working band in Eastern Europe!
http://tinyurl.com/quh73

Mahala rai Banda (Noble Band from the Ghetto)
Self Titled (Craw 31, 2004)
The band formed in the gypsy ghetto's (Mahala) of Bucharest & are an all star 'funk' band that blends together the traditional gyspy sound with a highly energetic brass band. Some of young(er) musicians here are related to Taraf de Haidouks & also contain retired soldiers who originate from Moldavia. The group manages to combine wedding tunes, military music, belly-dancing music, Far Eastern styles and harmonies, as well as pop, jazz and rock. Another fun release that possibly may not be for the true gypsy music purist?

However, not being overly knowledeable here & those in Europe especaily who most probably will have a much greater understanding than I, may find some of the tracks here to have too much of a Westernised feel. Nonetheless, it seems to me that much of what gypsy music is all about is incorporating various music styles in the gyspy framework & with this in mind I think this is another fairly strong release of its kind.

Further, I should add that I feel for this debut release, the collaboration with Shantel ("electrogyspy whizz") is a conscious effort to garner a younger audience for the ever increasing popularity of this music.
http://tinyurl.com/l4rr4

Accoring to the label's website these CD's should all be available or at least via order from your local music outlet. However, you can find a mail order service from the label (if you prefer) right here.

***Note: you all need to know that Robert Johnsson over at PunchDrunk (a rockin' fine blog) has added to the Taraf de Haidouks selection x 3. The 3rd disc is the one that's here (at different host), the other 2 are completely different. Musique Des Tsiganes De Roumanie was their first release & Dumbala Dumba the 3rd.

Please be generous & thank Robert Johnsson for this BIG effort for without his time & care you would not have the opportunity to listen (before buying) to the others albums. Cheers RJ.

****(27th)I don't know what's happened to the formatting here, but after adding the above note it's all gone weird. I can't fix it, unless I pull the`post apart & clear all HTML. I don't feel like doing that now, so please accept a strange looking post.

Flogging Molly 'Swagger'

2006-08-21T14:17:00.000+10:00

Flogging Molly
Swagger (Side One Dummy, 2000)
Irish Folk-punk from this 7 piece band makes Flogging Molly a rollicking fun band. This album debut produced by Steve Albine is beer drinking & dancing party music. And of course all bands playing this style of music will inevitably be compared to The Pogues (that is just part of the course).

To purchase this you can use the link provided at their website here.

http://tinyurl.com/ldwhx

Will try & continue review & answer various comments made due to time restriction over the weekend & today, sometime tomorrow. Please bear with me, just time has been a constriction.

Mutiny 'Co-Op Brewery'

2006-08-18T20:28:00.000+10:00

Mutiny
Co-Op Brewery (ERGH010 2006)
Melbourne folk-punk pioneers have only just released this 8trk EP (Aug 14, 2006). I really love this & am going to post it as I know that upon hearing it you too will want to support this 'local' band & BUY this disc or for those in USA here.

Mutiny actually formed some time ago in the early 90's out of the ashes of a few hardcore punk bands. The music unashamedly Celtic punkabilly with an Australian bush feel; taking the punk ethos with accoustic intruments. It's a drinking themed album (lyrics rather funny for Australians who are aware of the places, culture, labels etc), about drinking & getting drunk with your mates. Don't be shy, this is your chance to dance an Irish jig in full merriment with beer (or Rum) in hand.

Although the idea here is nothing new, they certainly do it better than most. For fans of The Pogues, Against Me, Flogging Molly, etc should really like this one.

Mutiny are:
Chris - Vocals
Alice - Bass
Greg - Mandolin, Electric Guitar
Dan - Piano Accordian, b. Voclas
Calum - Accoustic Guitar, b. Vocals
Paul - Drums, Bodhran, b. Voclas

And if you're in Tasmania they are launching this CD at the Trout in Hobart tomorrow night. They'll play the Empire Hotel in Sydney (25th) & the following night in Newcastle at The Lucky Country. Get to it & see them live. They are xclnt, will rock your socks off & you'll have lots of fun!

http://tinyurl.com/r5x4f

OH NO?

2006-08-17T21:33:00.000+10:00

Well what do you think.....? I had just fininshed in my 'study' here (on the computer) & walked out to find my partner had shaved her head except for a Mohican patch of hair down the middle!

I don't know...do you think she is trying to tell me something about the time I'm spending 'here' rather than with her or possibly it's just something to do with 'middle age' crisis (she is in her 30's)?

I'll try & take a few photo's tomorrow, but am just wondering what your thought are about this momentous event?

Now don't get me wrong, I'm not against people wanting to express themselves, but I kind of thought people got that out of their system a few years earlier. Lets face it the greatest form of protest is to look straight & ordinary - you are then not showing those how much time you've spent to make yourself look a little different & hence they DO NOT know immmediately who they might be dealing with. You are giving them less of an opportunity to be prepared.

So, by making little effort to be different you can be as diferent as you like; 'cause it's all in your mind how you feel, not only a matter of appearance. Appearance counts for little if your actions do not portray such committment.

What's the point of spending hours a day in spiking up your hair to have this huge mohican just 'cause you want to be a punk (for example). Surely, if that was your aim, spending those hours 'making' yourself up is anything BUT punk!

I hope I'm making some sense...your thoughts here are appreciated (as usual).

Cheers!

Jah Wobble & Bill Laswell 'Radioaxiom A Dub Transmission'

2006-08-17T20:17:00.000+10:00

Jah Wobble & Bill Laswell
Radioaxiom A Dub Transmission
Firstly, it must be said that this album here for your available discerning listening, has nothing to do with me in reality. (Please do not forget to buy if you want it). All 'props' must go out to Miscreant Productions for your fix of Ol' Skool Hip Hop, Miami Bass, Rare Groove etc.

What is even cooler here is that I did not ask for this 'share', but was generously provided for 'all' of us to sample as a sign of goodwill from Miscreant Productions. If you want to know what's going down in the world of hip-hop & related matters please check 'em out.

Now as for this release...just a few words from me after a brief listen...Certainly ambient by nature, yet a certain ethnicity is felt throughout from Ethiopian singer Ejigayehu Shibabaw to regular collaborator Aiyb Dieng from Senegal. Overall, to me this is rather a relaxing album, so don't expect anything too outlandish here from Wobble & Laswell. Nonetheless, this is rather polished with a certain ease in which they make it all happen.
http://tinyurl.com/fryf9
P/W = kickme.to/miscreants

Sylvain Chauveau 'Des Plumes Dans La Tête'

2006-08-17T17:21:00.000+10:00

Sylvain Chauveau
Des Plumes Dans La Tête (DSA 54084, 2004)
French 'composer' Sylvain Chauveau is apparently reasonably well known in his home country or at the very least has been making a 'name' for himself in recent times carving out his own musical niche.

This is a neo classical filmscore to the film of the same title by Thomas de Thier. I do not have more albums by Sylvain & so cannot provide from experience any details on his other works.

20 of the 22 tracks here are from the soundtrack the remaining tracks are reworkings, recorded & mixed with Joan Cambon from the album Weaving (Noise Museum 2000). This is quite a delicate release of timeless beauty.

Looking at his record labels site (DSA) I read that this release is 'non disponible' (not available), I can't confirm why this is the case, but I suggest if you want it, to see if your local music specialist can order it for you.

http://tinyurl.com/hfmrz

Spirits of Life 'Haitian Vodou'

2006-08-16T21:10:00.000+10:00

Spirits of Life
Haitian Vodou (SJR 2004)
I must first of all say that I find this rather difficult to make comment upon, because I do not find this overly musical (even in an avant-garde sense). However, on the other hand I should add that despite that fact that I've owned this disc for nearly two years I really haven't given it a fair hearing. So what can I say? I am not about to impart you with an historical account of Vodou or its diaspora today away from its homeland Haiti. Suffice these are quality recordings of traditional, steeped in precussion with atmosphere & mystique.

Well struggling for time I can tell you that the record label Soul Jazz is excellent. And if you want this disc also you can find it from the source right here. Also I must note that many re-salers claim already that this item is 'out of stock'.

I feel like I've been somewhat slack with this review & disc in particular, but as I've mentioned in the past that when pressed for time I feel it's better to give 'you' something with an abridged review than nothing at all. You can all make your minds up whether this album is for you. If so please make sure that you support such artists or in this case a label that provides such diverse music.
http://tinyurl.com/gfge6

Isis 'Panopticon'

2006-08-15T18:59:00.000+10:00

Isis
Panopticon (Ipecac 2004)
Well...what can I say about this mountainous band Isis? Seven monster tracks are found on this particular release. Somewhat unusually here Aaron Turner's vocals are kept to a minimum. But really that's not what this is all about. It's more about instrumental music; heavy, but in their own way rather spiritual. Tender moments are formed but almost always climax in a thunderous metallic instrumental well structured abyss. The tracks seem to mould together, with the shortest being a little under 7mins in almost an hours long hard edged 'grindcore' (as I'd call it); loud yet nonetheless distinctly purposeful music in an emphatically epic style.

"There are a few bands out there these days that are doing the "post-metal" thing: blending the repetition, tension-building, and soft-loud dynamics of post-rock with the crunchy riffing and throaty vocals of extreme metal. Some of them are even very good; but even the likes of Neurosis and Pelican can't hold a candle to Isis." (Brandon Wu)
Buy from Ipecac here.

VBR - 192-256:
http://tinyurl.com/pecyf

Polmo Polpo 'The Science of Breath'

2006-08-15T12:48:00.000+10:00

Polmo Polpo
The Science of Breath (Substractif 2002)
Sandro Perri who hails from Toronto is Polmo Polpo. He creates minimal techo/electronica soundscapes. Although, I must say that I am not really overly familiar with this guys work, (I only have this 1 album his debut full length), I do like it. However, trying to describe his sound is not all that easy (at least for me). There's a certain alien futuristic feel to this set, with hiss & occasional noise that ebbs & flows. And unusually here is the use of guitar (natural & processed), pedal steel & cello that tend to add genuine emotion, otherwise often devoid in this genre. As a package there is much to this release that as a general rule is seldom found blended into this style of work, yet nonetheless here is extremely cohesive; the basis of which is firmly planted in a deep & murky 'dub' sound. I think The Science of Breath is very fine work & has left me wanting to hear more from Sandro. He has since joined the Constallation label releasing Like Hearts Swelling (2003) & an EP in 2005 Kiss Me Again and Again.

Get this particular release from Substractif's 'parent' label Alien8 Recordings.

http://tinyurl.com/fx767

Consolidated 'Play More Music'

2006-08-13T19:44:00.000+10:00

Consolidated
Play More Music (Nettwerk Productions 1992)
"Consolidated play industrial music for those who want more than a night of dancing in blissed-out ecstasy, in a hip-hop style that can appeal to rockers who don't normally like rap/hip-hop. This group presents a serious challenge to those who look the other way hoping that social ills will just disappear on their own. They are, therefore, important. You won't agree with everything you hear on Play More Music, but you will be provoked to think about why." Roch Parisien

I don't normally like to use others reviews, but this was put ever so succintly. Further, if ever I use others work it is always referenced accordingly!

Oh, I'd also like to mention, (for those who unfortunately DO NOT read the comments), that this particular release contains the 'classic' track You Suck (featuring The Yeastie Girls).

One last thing: the sticker on this cover says that the album contains language which may be considered offensive. So take care folks!

Get this & their other albums from Nettwerk Productions right here.

http://tinyurl.com/ksj5r
(All images are copyrighted by their respective owners)

Pucho & The Latin Soul Brothers 'Jungle Strut'

2006-08-13T16:51:00.000+10:00

Pucho & The Latin Soul Brothers
(featuring Bernard Purdie, Melvin Sparks)
Jungle Strut (Lexington 1993)
Latin Boogaloo even Acid Jazz, Henry 'Pucho' Brown has been making this kind of music for 4 decades, (although there is a huge gap in his discography as his recording career halted, although he never stopped playing music until rediscovered in the early 90's). Strangely enough he isn't even of Latino decent, but indeed is African American. The continuing basis for his music has always revolved around Latin style percussions using congas & bangos, drums along with his own timbales whilst acting as bandleader.

I don't really think that this is one of his strongest albums (Heat! a 1968 album I own on vinyl I'd think is a better example), but nonetheless gives an idea of his grooves that have always been the hallmark of his music. Pucho always open to new ideas & influences probably never gained the wider recognition of peers such as Cal Tjader & Mongo Santamaria as his sound was often too diverse, despite his consistent grooves.

With the buzz in Britain for Acid Jazz & Rare Groove in the late 80's-early 90's Pucho had no idea he was at that time very popular & his records considered very highly. That was when he thought he'd make a recording career comeback. This, as I understand, was the second of his comeback albums & has recorded another 8 since this time (1993). In 2002 Pucho was named in the International Latin Hall of Fame & is only the second black person to have had this honour. The other, just out of interest was Dizzy Gillespie.

You can buy the US pressing (1995) on West 47th online here, plus loads more of his work.
http://tinyurl.com/g985t

Jorge Benjor 'The Definitive Collection'

2006-08-11T17:54:00.000+10:00

Jorge Benjor
The Definitive Collection
Some may know him as simply Jorge Ben as he changed his name in 1989 to apparently stopped being confused with George Benson. Others may have heard of him via his almost ubiquitous smash hit Mas Que Nada that he recorded at the infancy (age 23) of his long career. And still others may know of him via his strong pioneering involvement in the Brazilian Tropicalia movement of the late 60's that successfully blended American style blues & rock with Brazilain styles of music.

He really has never stuck to one particular genre playing anything from samba & bossa through to rock, jazz & reggae & has regularly incorporated African & Arabian music due to the influence of his Ethiopian mother. And his career is still goiing strong!

Whilst I have numerous of his albums on vinyl, this is a fair collection from varying stages in his career. What's more for those that remember that Rod Stewart track ('Do you think I'm sexy'), you're either older than those who might only know from listening to the 'wrong' radio stations, because here you'll find the original (Taj Mahal) from which he won a case of plagiarism against Mr Stewart. I always liked his 1976 rockin' psy dance number Umbabarauma (trk 9 on this compilation; please see comments as usual for full track listing). This man is without doubt one of Brazil's most original & influential songwriters, despite the fact he maybe less known outside his homeland than some of his contemporaries, such as Gilberto Gil.

You can buy this album here, although the cover differs from this particular release.
http://tinyurl.com/hk38j

'Panthalassa' The Music of Miles Davis 1969-1974

2006-08-10T12:09:00.000+10:00

Panthalassa
The Music of Miles Davis 1969-1974 Reconstruction & Mix Translation by Bill Laswell
I posted this album over at Hearwax's place in early April, but he seems to have closed his doors for the moment, with all links gone. Recently, some folk have made enquiries about this album & I thought I may have kept the links. Well quite amazingly I did.

Panthalassa consists of four tracks each seamlessly mixing together various Davis classics. Whilst, I'm not a mega fan of this era of Miles, this album should certainly appeal to those who like his 70's music. All relatively chilled out tracks, including some never before heard extended themes.

You've gotta give Bill his dues for tackling this difficult period in Davis' long career. Far from a desecration, Laswell's reconstructions bring Miles up to the minute; trippy acid jazz ensures this album to be quite an excellent listen. Buy this album for a low price here.
http://tinyurl.com/k8vv3

Now to make this session complete MiltonTheMonster has kindly shared from his large collection of Laswell & other related works the Remixes ep @320kbps. The p/w for just this one is: funky
http://tinyurl.com/kvhm3

***And for those of you who never read the comments, that's a shame. However, as a heads-up for you Mr Dub Dentist has kindly shared something special by one of NZ's finest electro dub artists Pitch Black. Please see the comments section here for all the necessary details, including where to purchase. And have a heart, spare a moment to thank Mr Dub D for bringing this new music for 'our' aural experience!

John Zorn/Masada Chamber Ensembles 'Bar Kokhba' (2CD set)

2006-08-08T13:33:00.000+10:00

John Zorn/Masada Chamber Ensembles
Bar Kokhba (2CD set)

This is a continuation of the 'Masada Songbook' set for chamber groups. All compositions of Zorn's music in the very capable hands of some of the usual 'Zorn' suspects & musical masters like Marc Ribot, John Medeski, Anthony Coleman & Dave Douglas et.al. Typically, within is created some fine expansive moments reworking older material & some softer tear-jerking moments too.

Masada was originally only a 4 piece band (drums, bass, trumpet, sax) & in the early days included Zorn (sax). However, as the 'songbook' grew so too did the variety of instruments & musicians. I think it's fair to say (now don't go beserk at me for this folks), that prior he had been somewhat of a fringe only player (yes, I still thought he was very good). However, it was with this more traditional (you might say) work that finally exposed him as being a really serious composer & band leader who could work with with many genres from avante-garde, through to more traditional post bop kinds & incorporate ethnic elements through to neo classical styles in his own unique way.

The Masada works can basically be divided into 3 main groups: The studio albums(10), the new arrangments, plus the live works.

One of Zorn's more accessible albums. It's hard to call this anything other than a must have for serious Zorn fans or likewise those of his Masada works. You can buy this album online here. Or just get your music outlet of choice to order it for you!

CD1:
http://tinyurl.com/rdok9
CD2:
http://tinyurl.com/lmclh

***Note for Mr Moodswings: sorry this has taken longer than first thought, seems I got caught up with some other stuff.

The Only Ones "Why Don't You Kill Yourself" The CBS Recordings (2CD Set)

2006-08-07T21:19:00.000+10:00

The Only Ones
"Why Don't You Kill Yourself" The CBS Recordings (2 CD Set)
Oldies come forward this is for you. Newbies unfamiliar with this English 'New Wave' band this is simultaneoulsy for you; an opportunity to hear this seminal band. I say 'New Wave' as this is the genre they were classed in at the time. Sure the band had all the necessary hallmarks, for one Peter Perrett (vocals, guitar) was a notorious heroin addict & just couldn't get his act together despite his obvious songwriting talent & yes clearly they were of that era. Yet, wordplay skills, balladry, unique vocal talent were quite unlike other UK bands at that time. John Perry (lead guitar) had quite a disctinctive style & sound & he went on to play with other bands & become quite an important session musician amongst other things.

Certainly they were very influential for other bands even to this day (Libertines, Blink-182), you get it virtually all here. Despite the below average cover art, the liner notes are decent making this a worthy package for those new to this band or otherwise those who do not have the bulk of their material on vinyl (or CD) including 7" Peter & The Pets singles.

You can buy this set here or via your local music store of choice.

CD1 (Note: trks 24-5 found on 2nd file 'cause file was too large for r/s)
http://tinyurl.com/qgpl5
CD2
http://tinyurl.com/g5x9v

*** If anybody has Peter Perrett's solo work from the mid 90's I'd be very interested in a bit of a listen. Cheers!

Mutiny 'Aftershock 2005'

2006-08-06T20:40:00.000+10:00

Mutiny
Aftershock 2005
Carrying on with the Bill Laswell theme, (although in a minor way here), Jerome "Bigfoot" Brailey is the one time drummer with P-Funk, aswell as found on other projects by Bill Laswell, Lucky Peterson, Jah Wobble, Pharaoh Sanders James Blood Ulmer & even Snoop Dog; just to mention a few. He also wrote the 1976 legendary track 'Tear the roof off the sucker' (Mothership Connection).

Funk rock with a rock/pseudo metal feel this is an ok effort, but for those into this kind of funk rock/crossover should look more closely at the Laswell produced O. G. Funk posted a few months ago, which I believe is a far more solid effort.

Bill Laswell is credited here as 'executive producer & psycho analysis', Robert Musso, (who should never be overlooked), typically as engineer & also production, whilst Nicky Skopelitis Can be heard on guitar (trk 2). Desires (trk 8) is notably inspired by Eddie Hazel. Vocal duties are shared around, but more often left in the hands of Fashe Forde. I can't really fault the drumming of "Bigfoot", but maybe his songwriting talents aren't quite up there with his drumming skill. Just out of interest Jerome "Bigfoot" Brailey was inducted into the rock & roll Hall of Fame in the late 90's.
http://tinyurl.com/quo67
If you want this album please see your local music store & order as required, this & other albums by Mutiny.

In so far as Bill Laswell is concerned I think (but can't say with 100% surety), that this will be my last related post for a little bit at least. I'm not quite sure what a little bit actually means in terms of time, but I'd like to post some other stuff. Actually, tonight I had intended to post some funk, but it just so happened that Mr Laswell appeared here also. Hmmmm, what doesn't he have a hand in? I can't reall anything related to classical, but then again with some of his World Music type projects, they too might be considered classical. The man is so prolific he's turned into a serious monster!

By the by...I've been kinda busy over the weekend, so for all those who made comments they are very much appreciated (& have been read) & I will get back to you all shortly. I had a choice this evening to answer comments (which I enjoy being a part of) or post something. I suspect that a new post is more important for most. Cheers!!

***Note: Mr Moodswings Stefan has added another P- Funk related Laswell project to the mix (Limbomaniacs). Please see comments for info regarding this release. All thanks to goes out to Stefan.

Karsh Kale 'Liberation'

2006-08-05T18:46:00.000+10:00

Karsh Kale
Liberation
This was the 2nd album (2003) from New York based DJ, producer, multi-instrumentalist & bandleader; Mr Asian Massive stylee Karsh Kale. Somewhat different from his ground-breaking first release in 2001 Realize, primarily due to the spare use of vocals here compared with the singer/songwriting talents of Siddiqui Shah & Gigi employed on that album. And whilst the previous album may have been a touch more organic in approach, here he is more ambitious; even using the Madras Chamber Orchestra on half of the tracks.

Now somewhat off the topic, but related to the previous post I present this electro album here as Bill Laswell is connected, playing bass on track 4 & for Laswell aficionado's you will recognise the beautiful violin of Lily Hayden (trk 7).

Plenty of drum n bass beats, tabla, strings, weaving of Indian vocals & programming all blended together to make a reasonably satisfying album. Although I feel there is nothing really ground-breaking on this release (it would certainly have been if released 5 yrs earlier) it should be a welcome addition to those into beat based music or those into the current wave of 'Asian' music & its culture. You can buy his albums via his website here. (Navigate to discography).
http://tinyurl.com/rfjyv

Divination 'Ambient Dub Vol. 1' (Conceived & Constructed by Bill Laswell)

2006-08-03T09:24:00.000+10:00

Divination
Ambient Dub Vol. 1
Another excellent Bill Laswell project that is as the title suggests ambient, however not overly dub. Yet it has certain ingredients that aptly fit the title, namely atmospherics & 'Laswellesque' basslines that could sometime be construed as an abstract form of dub. Nonetheless, this is quite a hypnotic release, albeit in a rather downbeat format.

I understand that this (Subharmonic 1993) & its companion Vol. 2 (Subharmonic 1994) have been released in various guises. I have these in their original separate format, but I'm told that they were released in CD-Rom version with a graphical interface & later as a dbl CD (Subharmonic 1995?), although I have not physically seen either.

On this release 'conceieved & constructed' by Bill Laswell he is joined by:

Lio Sola: Voice, Sounds
Jeff Bova: Keyboards, Sounds
Nicky Skopelitis: Guitar, Sounds
Buckethead: Guitar, Sounds
Robert Musso: Treatments, Engineering, Sounds

Vol 2. dispenses with both guitarists & Lio Sola & replaces them with Mick Harris & Jah Wobble.

I'm not entirely sure of its current availability, but I suggest in order to support the artists you check in your local music store or internet resources.
http://tinyurl.com/jbgo7

Chardman has generously given us another bite to hear from the Laswell 'Divination' series. Please see comments to find link for Sacrifice. It was a 1998 release - 2 of the 4 tracks included Laraaji playing electric zither. This is a rather mellow mix of semi-meditative pieces. Thank you Chardman for this share! Oh, & whilst you're checking the comments to find the link, please spare a moment to thank Chardman.

And MiltonTheMonster has thoughtfully added another couple: African Dub, plus Somma - Hooked on Light Rays. You'll need to check the comments to find links & p/w. Thanks Milton for your contributions here - appreciated & certainly helps us all learn about other musics that may have otherwise been unknown.

Remember if you like these additional releases to go out & place the necessary orders with your local music outlet. It's the way to show your support.

JACK RUBY 'Hi Fi'

2006-08-02T20:20:00.000+10:00

JACK RUBY
Hi Fi
Jack Ruby was the man behind one of Jamaica's biggest soundsystem in the late 70's/80's, despite being based outside Kingston for most of his career. His work always considered to have exceptional character & was responsible for getting performers like Ken Boothe and Delroy Wilson heard by a wider audience, all before he finally got behind the desk and started producing some killer material. This was always characterised by the highest quality musicians such as Tommy Mcook, Earl 'Chinna' Smith, Robbie Shakespeare, Bobby Ellis, Bernard Harvey, Aston 'Family Man' Barrett & loads more.

According to the liner notes: "Ruby's sound system was consistently one of Jamaica's greatest & at one point, it was probably the most powerful of all, thanks to the custom-built amplifier made by Lloyd 'The Matador' Daley, featuring no less than forty KT88 valves. It eventually became so big that it could only be transported on a massive Leyland truck." Sheez...and I thought I was doing well with my old amp which had just 2 KT88 valves, (I just love that warm valve sound).

This is an excellent example of his work, that otherwise has been almost hidden (long out of print) for way too long. It's one of those releases you kind of think is too short, as you are left wanting to hear more!

*Originally released as Clappers LP, 1981.
*Recorded at Jack Ruby's Studios, Ocho Rios, JA. January 1, 1980.
*Mixed at King Tubby's Studios, Kingston, JA. (By Jack Ruby)
*Executive producer: Dub Organizer.

Click on back cover for tracks or see comments.
(All images are copyrighted by their respective owners)

http://tinyurl.com/mxbjp

Patti Smith 'Tell It Like It Is' (Live 1996)

2006-08-01T21:30:00.000+10:00

Patti Smith
Tell It Like It Is
(Live @ The Markethalle, Hamburg Germany Aug 1, 1996)
This is a superb quality live recording. The CD doesn't tell me who's in the band this particular tour, but if Lenny Kaye isn't playing guitar with Ivan Kral , I'd almost suggest it is Tom Verlaine, who played on her first album Horses & has toured with her on & off over her long career. Maybe it's Robert Quine, as I think (but can't positively remember) he played in her band the one time I saw her in the early '90s. It's rather hard to identify that wailing guitar sound, as distictive as it may be (any helpers)?

Although a fair amount of her 'later' material is played here (see comments for full listing), she does a great version of 'Dancing Barefoot' & a long expose' (10+ mins) of When Doves Cry.

All of her 'classic' CD's have been re-issued & remastered, but now they are being made available in dbl CD 'Legacy' versions with a 2nd cd full of live or otherwise unavailable material. Horses has the entire album live on the 2nd disc with Flea playing bass. These are definitely worth searching out for fans & newcomers alike. Please see your local music store (Arista records, now JRecords)!
http://tinyurl.com/pfjxz

A Silver Mt.Zion 'He Has Left Us Alone But Shafts of Light Sometimes Grace the Corners of Our Rooms'

2006-07-31T17:13:00.000+10:00

A Silver Mt.Zion
He Has Left Us Alone But Shafts of Light Sometimes Grace the Corners of Our Rooms
Essentially a side project by members of Godspeed You Black Emperor! this is typical of much of the Montreal Constellation Records post-rock sound. Similar to Godspeed, but a little more docile with a stripped back approach & unusually a few vocal 'fragments' are added to the mix. This was ASMZ first release (2000); haunting & emotional, yet still undoubtedly beautiful. Driven by strings & loops whilst other instruments fill out the tracks adding interest amidst a sea of generally minor chords.

It is a rather fascinating piece of music, although with multiple song titles the band might have you think these are seperate tracks, but to me they seem to form one single piece of music. Without doubt these are a talented group of artists who deserve to have greater recognition!

You can get all their albums here via online shop, or even mail order for those without a credit card.

http://tinyurl.com/lwuqw

Note: Updated Links: The Dumb Earth & Morphine

2006-07-28T21:28:00.000+10:00

***Note: New mirrored links now available for those who had problems with the excellent Australian band 'The Dumb Earth' (21 June) & the now defunct Morphine (17 June). For others simply choose whichever works best for you. Please see the appropriate posts for these updates. Cheers!

Big Chief 'Mack Avenue Skull Game'

2006-07-28T15:32:00.000+10:00

Big Chief
Mack Avenue Skull Game
This a 'soundtrack' album, although fictitious by the not very well known Detroit band Big Chief of the late 80's-early 90's. This was their second long player (1993) on Sub Pop records & really was quite excellent for its time; even now it still sounds fairly fresh. Fusing elements of heavier rock with Blaxploitation funk with almost incidental 'groove' passages the album is actually (not surprisingly) dedicated to the deceased legendary guitarist Eddie Hazel from Funkadelic.

You may think that this album would be rather kitch. However, in reality the concept worked beyond the standard genre benders & probably did not receive greater recognition as simply they were ahead of their time; a time where grunge in particular was receiving the greatest attention in so far as 'rock' acts were concerned.
http://tinyurl.com/f4u2q

***I feel I've rushed though this a little, but I have some people coming over here soon (like now) & then most probably will not get another chance to get online until tomorrow evening. I hope you enjoy this release if it sounds like your kind of thing & get the album from this Sub Pop link.

James Yorkston and the Athletes 'Just Beyond The River'

2006-07-27T16:00:00.000+10:00

James Yorkston and the Athletes
Just Beyond The River
This is Scottish singer/songwriter James Yorkston's second album (2004) following the critically acclaimed debut Moving up Country (2002). It is delicate rootsy folk, somewhat in the same vein as Nick Drake with accoustic guitar picking, although with Yorkston melancholic times & fragile vocals are not necessarily the main focus. However, delicate moments in relationships, contemplative walks at night caressed by his tender vocal stylings rivet the listener. All the while his backing band The Athletes gracefully fill out the sound with accordian, banjo, percussion, violin, et.al. Further, electronic artist Kieran Hebden of Four Tet works the production to near perfection with spot-on atmospherics cleverly maintaining a veracious & genuine belief in the music found within.

The Athletes are:
Faisal - Percussion/Harmonium/Lap Steel
Reuben - Accordion/Concertina/Piano
Holly - Small Pipes/Whistle
Doogie - Double Bass/banjo/Bouzouki
Wendy - Violin
Jon - Violin
James has other guests that also play on his records.

I hope that this review hasn't made this release sound really drab & boring? Sure it's rather quiet music, but it's tenderness & overall warmth are apparent. Repeated listens are welcome as one seems to get closer to the songs. It's possibly that this album sometime into the future will be considered a classic; let's hope though not 'undervalued'.
http://tinyurl.com/nuguz

Get this & all other Yorkston releases HERE.

Tinariwen 'Amassakoul'

2006-07-26T11:03:00.000+10:00

Tinariwen
Amassakoul
From Kidel in eastern Mali this group was the first of its kind to exist in the southern Sahara (~1982). They are the creators of a new & contemporary style of Touareg music. It is tied in with the exile & nomadic situation of the Touareg people, the descendants of Berbers in the Sahara.

Sung poetry addresses critical political issues of their plight in general & in particular their oppression in Mali. Traditional instruments, such as the lute, were deliberately discarded generally in favour of the electric guitar (in particular); its sound being able to travel farther & its often wailing sound eloquently able to describe their heart felt suffering. Western & Middle Eastern influences play a part in this music known as Tishoumaren. As time passed the direct political content shifted & now it apparently deals more with reconciliation, education etc. The music clearly has its own voice & speaks of life (I can read the translated lyrics).

The band is comprised loosely around 10 musicians all of whom are regarded as the best & most famous contemporary Touareg has to offer. Although having released many cassettes in Africa this is only their 2nd CD release (2004) & along with the first (The Radio Tisdas Sessions 2001) are the only albums to transcend Africa. Le festival au Desert in 2001 was the performance in which the Western World finally paid attention & since then they have been considered a highlight at such festivals as WOMAD (Reading 2004) & Roskilde (Denmark 2005).

Although some distance from the Mississippi, I thought this linked in rather well with William Elliott Whitmore. File under: African blues!

You can buy their albums here.

http://tinyurl.com/zrv45

William Elliott Whitmore 'Ashes to Dust'

2006-07-25T19:38:00.000+10:00

William Elliott Whitmore
Ahses To Dust
Get your 'sour mash' out, head onto your 'porch', chew some tobacco & you'll know where this guy is coming from & maybe even where he's been. William Elliott Whitmore is the current face of country style folk/blues. With a voice to match the very best blues artists of yesteryear & one Tom Waits may have wanted to have; it's so deep & gravely & belies his youth. Hailing from a horse farm in Iowa much of the songs seem to stem from dusty back roads & the mirky waters of the Mississippi. I bring this to your attention now on the back of The Boys Next Door, not that they are in any way similar, but for the imagery & lyrical content Nick Cave often brings into his music.

This is American roots music, often little more than a deep dark voice & a banjo. It's an 'ode' to humanity that is most often crushed & dilapidated.

This is Will's 2nd full length album (2005) & he's recently released a 3rd. Support 'young' Will & get all his albums here.

http://tinyurl.com/ztcga

The Boys Next Door 'Door, Door'

2006-07-23T13:13:00.000+10:00

The Boys Next
Door Door, Door
The Birthday Party are regarded as one of the most influential bands of the 80's & helped to launch the substantial careers of Nick Cave, Roland S. Howard & Mick Harvey. Without going into any detail about these artists (for those who may not be familiar), I'd like to take a step further back in time when they were The Boys Next Door.

Nick Cave, Tracey Pew, Mick Harvey & Phil Calvert formed the band whilst still in high school cira 1975. Initially they had no formalised name & really were playing little more than 'high school' type gigs until 1977 when they left school. However, by 1978 they had become one of the best known Post-Punk/New Wave bands in the land.

This 1979 release was their first full album, although they had released an earlier single These Boots Are Made For Walking & were a part of the Lethal Weapons compilation.

The album is virtually in 2 parts: Side A recorded at Alan Eaton studios by Les Karsky (June '78) & Side B 6 months later (Jan '79) at the legendary Richmond Recorders by well known producer Tony Cohen, with the introduction of Roland Howard. This album contains one of Australia's greatest ballads Shivers. At the time of this release it was refused 'commercial' airplay because as I understand it the word suicide was used.

The Hee Haw EP (1979) was the last true release for The Boys Next Door. By 1980 the band prior to leaving for England played their final shows at Crystal Ballroom (St.Kilda, Melbourne) with a give-away single Happy Birthday/Riddle House proclaining the new name for the band.

It is said that even at the time of the Door, Door release, the band felt it to be a sound of the past & not worth pursuing as they were already exploring a more abrasive sound akin to early Birthday Party releases. So much more to write (I've tried to keep the details to a minimum), but I think I'll spare you the trip down memory lane. For those into Nick Cave this is a must have, for those interested in learning more about the Australian music scene of the time this is a definitive release & for those wanting to hear the original version of Shivers (I can't recall who did that lame cover recently) this album is essential. And to those who like this you'll find a bootleg posted a few months back.
http://tinyurl.com/oec8r

The National 'Live Paris, April 29, 05 '

2006-07-22T15:26:00.000+10:00

The National

Live Paris, April 29, 2005

With Clogs recently posted & that bands connection with The National, I thought I'd post something for their fans. This is a live recording in Paris; quality is v.good. Please note: this is not my original, so all credit goes out to the original person who made this available. (As usual see comments for track list).

The National are:
* Matt Berninger – vocals
* Aaron Dessner – bass, guitar
* Bryce Dessner – guitar
* Bryan Devendorf – drums
* Scott Devendorf – guitar, bass

(Images are copyrighted by their respective owners)

Releases:
* The National (2001)
* Sad Songs for Dirty Lovers (2003)
* Cherry Tree EP, 7 tracks 5 new, plus 1 live version & collaboration w/Padma Newsome from Clogs (2004)
* Alligator (2005)
* Lit Up EP w/'lit up' remix (2005)

You can support this superb band and buy the albums from their official online store here. Do yourself a favour (as was famously said each week on Australian television during the 70's - early 80's; I know that was bad)!

http://tinyurl.com/rhgn2

The Eric Gales Band 'Picture of a Thousand Faces'

2006-07-21T18:56:00.000+10:00

The Eric Gales Band
Picture of a Thousand Faces
Teen guitarists strutting their stuff, it's fair to say, is generally not my thing. And this 1993 release can't change my mind. It's true that this guy along with his brothers are talented musicians, learning to play guitar just like Jimi (left handed & upside down for those unaware), but there are many guitar masters out there that for mine just can't crack it because they just don't have the necessary 'musicality' required to capture an audience.

Don't get me wrong it's not all doom & gloom for this album it does have a few good moments, but they are definitely not sustained. However, I can say that Eric Gales released an album sometime in 2000's, which apparently is a far better & a more mature showing (being in his 20's).

I bought this disc on the back of hearing She's So Heavy (Beatles cover), which I still like, but a solitary track is not going to win me over. I thought this band may have been like a Living Color, but it wasn't the case, although with some guidance the opportunity certainly was there. If you want to hear a solid guitar orientated version of She's So Heavy, by all means check it out 'cause from time to time this cd still gets taken out in my house just to play that track.

I'd say that those guitar slingers will probably get into this or for those who like their rock fairly straight up. I'd like to say that those into such electric blues artists such as Albert Collins or even Stevie Ray Vaughn might like this, but I feel there is not even blues or genuine feeling for those listeners. Please let me know what you think if your up for it.
MoogPower Rating = 2
http://tinyurl.com/jm8w4

Kronos Quartet playing Henryk Górecki 'Already It Is Dusk' (1988) & 'Quasi una Fantasia' (1990/91)

2006-07-20T20:15:00.000+10:00

Kronos Quartet (muscians) Henryk Górecki (composer)
Already It Is Dusk (String Quartet No. 1, Op. 62) (1988) / Quasi una Fantasia (String Quartet No. 2, Op. 64) (1990-91)
This is going to take me some time to think about this one; unfortunately I do not have the space to review this tonight. Suffice to say I do like it. BTW, yep it's classical.

"Gorecki's String Quartet No. 2, Op. 64 - Quasi una Fantasia - is an intense and heart stirring composition I have no doubt about rating five stars.

There is, however, a preliminary consideration to be made: this piece of music, more than others, asks for cooperation, lots of it, and it will not satisfy listeners who are unwilling to award it with such cooperation. The reason for this, paradoxically, rests in the quartet's overtly simple and stubbornly repetitive inner structure, which is very likely to annoy listeners who either are untrained to minimalist music, or (even more so, perhaps, in this case) believe that simplicity of form essentially entails a lack of ideas. In other words, in order for those approaching Gorecki's Quasi una Fantasia to thoroughly enjoy it (and comprehend it), they must cooperate - that is, suspend skepticism and let the music exercise its hypnotic suggestion on them. If they do not, they'll inevitably miss its point and therefore find it exceedingly simple and consequently discharge it." (Vargiu Riccardo James - Italy)

Ok this maybe not what those who've heard Górecki's symphonic work would be expecting, but I do find this rather interesting & definitely rewarding.

http://url2share.com/994xr

***Note: Chardman has thoughtfully posted Symphony No. 3 over at his place. You can find it here. Thank you once again Chardman.

Hüsker Dü 'Zen Arcade'

2006-07-19T19:16:00.000+10:00

Husker Du
Zen Arcade
It's hard to know what to write sometimes in the space I allocate for various reasons. For example here I think to myself what can I write about Hüsker Dü that hasn't already been written or what people do not already know. However, then I need to remind myself that I'm posting this for those who may not know much about this album or even this band.

It was 1984 when Hüsker Dü released this dbl album. It was their third release. Led by Bob Mould (guitar) & Grant Hart (drums) with Greg Norton (bass) this Minneapolis trio were genuine leaders in the hardcore/punk scene, although in later releases they would abandon their earlier pedigree & move into a more 'alt' rock driven sound especially heard on Flip Your Wig.

Believe it or not this is considered punks first ever 'concept' album; primarily relating to the anguish of growing up, it's punks first double album as it was previously thought to be totally absurd. And standing firm with punk tradition this dbl album was recorded in ~80 mins. Hüsker Dü whether credit is given to them or not clearly paved the way for bands such as The Pixies, Nirvana & even Sonic Youth to make their presence known in the late 80's & beyond.

The final 13 minute track on this album (all the others are short, more in the atypical punk style) has all the hallmarks of what Sonic Youth are about; noise, fuzz etc. And let's not forget lengthy instrumental tracks were not at all consistent with that punk ethos! And really it seems despite the fact that much about this album is punk or considered so at the time, much of it appears to be about subverting genres by way of constructing something disguised as punk, yet going well beyond the standard punk limitations.

Just out of interest it was Bob Mould who penned the majority of the punk/hardcore style tracks & Grant Hart the more poppier tunes & were at times likened to a punk version of Lennon & McCartney. By todays standards this dbl album may seem somewhat tame, but there is little doubt that 22yrs ago this release was groundbreaking & is to this day considered one of the most influential albums in the punk rock scene, but also regularly listed in the music press as one of the best rock albums of all time.
http://url2share.com/njr3f

Mark Eitzel 'The Invisible Man'

2006-07-18T13:08:00.000+10:00

Mark Eitzel
The Invisible Man
For those that know Mark Eitzel as a solo artist or as frontman of his previous band American Music Club will already know he comes with various musical personas. This 2001 album sees Mark embarking on a pseudo electronic pop affair, virtually in distinct contrast to his prior (1998) release which was essentially split into two sections; accoustic (trks 1-4, 9-11) & then rock tinged (trks 5-9). Despite the variety of instrumentation here (including trumpets, bass clarinet, trombone), much is based on loops & keyboards generally set against Eitzel's usual accoustic guitar strumming.

The commonly encountered quirkiness that has marked Eitzel's long career spanning some 10+ solo albums going back to 1991 & AMC albums going back to 1986 are quite evident. Generally, I've found Eitzel to be lyrically strong often poignant & potent. Once again Eitzel proves this to be the case, but whether this makes up for his musical stylings I am unsure. I'd like to note that AMC released a comeback album two yrs ago, which arrived to critical acclaim, but I am yet to hear it. This disc is the import version & comes with 2 bonus tracks that were not found on the local American release.

I find Eitzel to be a bit of a quandary. At times I can really get into him, others he really doesn't do it for me at all. I can't quite define what it is about him that gives me this mixed feelings, but I think unless you fully embrace him & his music, he may be prone to causing this kind of ambivalence.
File under singer/songwriter (rock). MoogPower Rating = 3
http://url2share.com/3r0j5
***Julio has kindly shared with us the only release by Second Layer (1981). They are a band that I do not know, but are associated with The Sound (Adrian Borland). Please see comments for more info provided by Julio. He says that those into Joy Division or early Clock DVA will get into this one. Thank you Julio!!!
http://rapidshare.de/files/26275140/second_layer.rar.html

Clogs 'Thom's Night Out'

2006-07-17T20:59:00.000+10:00

Clogs
Thom's Night Out
I present to you the highly underrated or possibly just little known Clogs in conjunction with Stefan over at the excellent MoodSwings blog, where you'll find their latest release (Feb 2006). He also has provided much of the background info, which I will not outline once again in this review.

Here I have their first release (2001) for you to listen. In a similar vein to Rachel's, (posted previously - see below June, 14), they are a band that are rather difficult to classify. It's easy to just class them as post-rock (instrumental) in the way that I've tagged them, but they have a greater affinity to a classical ensemble (viola/bassoon/guitar/percussion) with no rock about them, yet somehow I think they are aurally accessible to your average indie/rock fan! You could just call them mood music; they are not harsh on the ears in fact exactly the opposite in creating genuinely beautiful music, that like Rachels isn't about time or genre, but just about the music. I believe if you seriously love Sigor Ros for its beauty or Radiohead for its somewhat experimentalism (I'd say pseudo); then I feel you are bound to really get into this music. It's definitely about live music, (but far from essential) that you may like to sit silently to listen or in the darkness & just let your dreams take over. Hey, it even would go well after you've just left an opium den in some remote area; just a thought. (Am I allowed to say that?)

I can't say for sure as I've only listened to 'Lantern' briefly, but I think that is a little more commercially orientated than this & overall rather quiet (except trks 10 & 11), whereas this can be a little more experimental, although overall relatively gentle. I'm not saying one is 'better' than the other esp. as I've only heard the other briefly, just trying to highlight possible differences.

And for those unaware Clogs members Bryce Dessner (guitar) is also in The National, which Padma Newsome (violin, viola) played a part in the production of their albums. Alligator their last release (2005) was given 5/5 stars by many critical reviews.

Hard to fault this particualr release either: MoogPower rating = 4.5+
http://tinyurl.com/p75lb

(Images are copyrighted by their respective owners)

Ronald Shannon Jackson & the Decoding Society 'Barbeque Dog'

2006-07-14T11:21:00.000+10:00

Ronald Shannon Jackson & the Decoding Society
Barbeque Dog
This is the 1983 follow up release to the highly acclaimed Mandance (1982). Jackson is undeniably one of the most inventive drummers of all time. In 1979 Jackson aged 39 formed the Decoding Society that would become a vehicle to showcase his talents as drummer & composer as well as many other talented artists Jackson enlisted, regardless of lineup changes throughout the 80's (although a core unit was often largely in place). (Please see comments for musicians on this release). In Jackson's best work he was able to synthesise a variety of musical styles including many forms of jazz, rock, blues, funk & world music's. A fusion of these musical sources & improvisation were heavily incorporated into the music. From my persepctive this particular release seems to highlight the brilliance of Vernon Reid more so than any of the other musicians.

Without delving deeply in Jackson's musical history pre-Decoding Society it is worth noting that he was a member of Ornette Coleman's Prime Time (1975-1979). Jackson also played with, starting from the mid 80's, Last Exit & Power Tools (Bill Frisell) in the late 80's. Unfortunately, Jackson's first six albums are apparently out of print, despite them having a brief CD run. So this CD from my understanding is no longer availble in any format. (Please check with your fav record store to confirm).

http://tinyurl.com/qf6oz

'New York Noise' Up Again

2006-07-13T12:36:00.000+10:00

Back by Popular Demand:

Just thought I'd let everybody know that New York Noise is up again. Please see post June 6 for full details. I hope this helps those who missed it & were keen to check out the sounds. Cheers!
If you do not need any details regarding this release you can just get it here:
http://tinyurl.com/npu83

23 Skidoo 'Urban Gamelan'

2006-07-13T12:01:00.000+10:00

23 Skidoo

Urban Gamelan

In London during the late 70's there was 23 Skidoo, just as in Sheffiled there was Caberet Voltaire & Manchester had A Certain Ratio etc. Punk had well & truly reached its zenith, whilst New Wave was already very much apart of the musical landscape. However, at this time other forms of music were also gaining prominence; Industrial arguably headed by Throbbing Gristle (who had begun in the mid 70's) & other forms of electronica with various roots were coming to the fore. Some of these seemed to stem from harsh backgrounds with sounds reflcetive of this idea (white noise, guitar drones etc) & for some possibly later morphed into the beginning of the 'goth' scene, yet with others their music had a greater correlation with funk or the jazz scene (e.g A Certain Ratio or a few yrs later Shriekback & Pigbag).

23 Skidoo do not match the fury of say Einstürzende Neubauten or Test Dept, but are nonetheless a prime example of the inventivess of the post-punk 'movement'. Seven Songs their first release (mini-album 1982) is often regarded as their best (I have on vinyl) & other than this release I am not familiar with their other few. This by way of contrast to Seven Songs is ceratinly less esoteric. Although real Balinese gamelans are not used the title aptly describes the use of urban 'instruments' here; namely gas cylinders, oil drums & glass jugs. Sampled by bands such as the Chemical Brothers (Block Rockin Beats) & Meat Beat Manifesto (Babylon), this album sounds inspired by dub, Eastern percussion & possibly even Afro-beat. Without doubt they are originals.

And for those (much like myself) that had thought this band had just ceased to exist somewhere around the mid-late 80's, in fact actually they continued on as Ronin. In 2000 the band under 23 Skidoo released another album (Self Titled) for Virgin. I'm sorry but I haven't heard it at all & the reviews seem quite varied - some thinking it quite brilliant, others finding it a little ordinary. For those wanting to buy this album or others their new site appears to be 'under construction' & I'd suggest you order it from your fav music store; the album being released on Ronin Records.

http://tinyurl.com/zlbep

Lounge Lizards 'Live in Berlin Vol. 1'

2006-07-11T16:12:00.000+10:00

Lounge Lizards
Live in Berlin Vol. 1
For those unaware John Lurie (saxophone) was the bands founding member in the late 70's - early 80's. And with Arto Lindsay (DNA) & Anton Fier (Feelies) & other players rounding out the band, conceived a style of jazz that had much of its heritage in rock, avante-garde & the 'no wave' scene at that time, rather than traditional forms of jazz. The original ensemble only released one self titled album together, which after numerous releases & line -up changes I still believe to be their best. From the early 90's until this time Lounge Lizards output has been rather infrequent - the last release Queen of all Ears (1998) being their last. I am unsure whether they have officially broken up or if they play live anymore (they've never been out here), however it has been clear for some time that John Luries direction had changed somewhat with his soundtrack success in Jim Jarmusch films Stranger than Paradise, Down By Law & Mystery Train, aswell as taking on acting roles in these films. Get Shorty was another notable soundtrack Lurie scored. He even had his own fishing programme on television, which as I understand became something of a cult success; even though it's said Lurie knew nothing about fishing. Over the past numberof years Lurie has been devoting more of his time to his artwork, some exammles can be seen on the album covers.

This release & subsequent Vol. 2 were released two yrs apart, although they were recorded at the same venue just days apart. However, as a dual set they present the group in different modes; this being slightly experimental the other more concerned with mood & groove.

Not really the greatest of their releases, I'd say my favs are their first (Self Titled, which I have on vinyl) & last (Queen of All Ears, which I might post another time).
http://tinyurl.com/jmgu2

***Note: For those interested you will now find more Lounge Lizards over at cestlamerde's new blog. He's kindly sharing their first album (self titled 1981) & also No Pain For Cakes (1987) in one file. Click on his name above to be transported into his world!

Chris Joss 'You've Been Spiked'

2006-07-10T12:14:00.000+10:00

Chris Joss
You've Been Spiked
Think here 60's - early 70's soundtrack, blaxsploitation grooves, jazz/lounge electronica with loads of Hammond & Rhodes keyboard riffs & thick basslines & you've got Frenchman DJ/Producer Chris Joss. This his 3rd full release (2004), is certainly retro in character,that is, it appears authentic (rather than a poor imitation), but with digital equipment in use the sound is very much about today. Kitch it maybe, but I believe it works without being horribly cliched especially late at night. The French or Europeans generally seem to have a knack in creating these 'trippy' electronic soundscapes. This is the original Europen release, but later releases have a bonus 2 tracks from his first album & a different cover. You can find this & his other releases via his label here.
MoogPower Rating = 4
http://tinyurl.com/l3n64

Luna 'Luna Live'

2006-07-08T16:58:00.000+10:00

Luna
Luna Live
After having just posted YLT, I thought it only fair to post some Luna; as I think it's fair to say that these 2 bands are almost my favourites of those that have lasted from late 80's-early90's until this day. This 2001 release I believe gives a good overview of their sound, even if it's somewhat a more stripped back approach, (which I believe works). It covers 5 albums & a couple of ep's. And after you've heard this, the place to start buying their albums begins with Bewitched (1994).

Again, just as with YLT, this album is posted particularly for those who do not really know this band. Although the band has had a number of line-up changes, it was originally formed by Galaxie 500 lead singer Dean Wareham & included Justin Harwood, bass (ex-Chills) & Stanley Demeski, drums (ex-Feelies).

The band has always had to live with Tom Verlaine & even Velvet Underground comparisons. However, whilst these sentiments become tiresome, for those unfamilar there is truly a sense of Tom Verlaine both in vocal style (Dean Wareham) & guitar & VU (Loaded - Sweet Jane) about their music, but is should be stressed they are far from mere imitators. Further, this attribute was given hightened credibilty with the guesting of Tom Verlaine on Penthouse (1995), Sterling Morrison on Bewitched (1994) & Grasshopper (Lunapark, Bewitched & Penthouse), although he has nothing to do with artists/bands previously mentioned. Lunapark (1992) was produced by Fred Maher (ex Material, Scritti Politti etc) & the 'hidden' Gainsbourg song 'Bonnie & Clyde' was an wonderful effort with Laetetia Sadier of Stereolab (Penthouse). So it seems that they've always been highly esteemed by many in the musical world & quite justly so. It may just be that Dean Wareham is one of New Zealands greatest exports!

So what should you expect from Luna: well a delicious blend of gentle swirling guitar, laid back & laconic vocals (I hear echoes of Alex Chilton, but never mentioned in reviews) amidst languid, but almost hytnotic pop styled tunes. Highly recommended.

http://url2share.com/by5wn (@224kbps)

Luna: '23 Minutes in Brussles' Live excerpt (starts a bit out of synch; building to the crescendo of this epic track)

Yo La Tengo 'Painful'

2006-07-07T18:59:00.000+10:00

Yo La Tengo
Painful
I'm not so certain what I can say about this band Yo La Tengo that hasn't already been said? So, will keep my words here to a minimum. This is for those unfamiliar with this superb band & possibly my fav album of theirs, but having been around since the late 80's it's quite difficult to specify which of the albums is the best; not surprisingly quite a few are excellent. Dreamy & fuzzy all at once this album still sounds quite fresh today.

If you do not know this, listen for a brilliant cover of Only Ones 'The Whole of the Law.' Actaully thinking of covers this band is well known for its full repertoire of covers, often playing them by audience request (ad hoc) at any given time. Hence, their well known segment at WFMU fm all requests marathon to raise money for the station.

I was lucky enough, at least out here to have seen YLT live once, I think 1996/7 & they were just brilliant. If you ever get the chance or are simply contemplating seeing them live they are well worth any effort involved.

This is fair reading...Biography by Jason Ankeny

"Yo La Tengo was in many respects the quintessential critics' band: in addition to its adventurous eclecticism, defiant independence, and restless creative ambition -- three qualities that virtually guarantee music press acclaim -- the group's frontman, Ira Kaplan, even tenured as a rock scribe prior to finding success as a performer. So frequently compared to the Velvet Underground that they even portrayed the legendary group in the 1996 film I Shot Andy Warhol, the Hoboken, NJ-based unit exploredthe extremes of feedback-driven noise rock and sweetly melodic pop, shading its work with equal parts scholarly composure and fannish enthusiasm. Prolific and mercurial, Yo La Tengo ultimately transcended its myriad influences to ensconce itself as a beloved institution of the indie community...

A move to the Matador label predated the release of 1993's Painful, another winner informed by the atmospherics of shoegazer drones and dream pop. Bookended by radically opposed renditions of the track "Big Day Coming" -- the first an organ-driven mood piece, the other an edgy guitar outing -- the record pushed Yo La Tengo in a multitude of new directions, significantly expanding the trio's palette of sounds and textures...

In 2005, Matador Records paid homage to the band's twentieth year as recording artists with the career-spanning compilation Prisoners of Love: A Smattering of Scintillating Senescent Songs: 1985-2003."
Full review here (click on link).
Sorry those aren't my words, but I am quite exhausted & I thought they were reasonable comments.

http://url2share.com/z1za9

Pelican 'Australasia'

2006-07-06T18:15:00.000+10:00

Pelican
Australasia
Sometimes it is not easy to think what to post next; just like making a mixed-tape when you are uncertain what track should go next. Often I might throw in a short spoken word track or something seemingly totally different, but usually works as a counterbalance or as added interest. Now here, after the 'Marshall Brothers' albums (see previous post), I was very much undecided so am going to present to you Pelican, of course not the water bird, but an all instrumental 'metal' band. 2003 was the first full album release by Pelican (click on link to purchase via their label Hydra Head). I should also add here that as far as I know this band has no connection with Australia & hail from Chicago (USA).

I'm not entirely sure what I can express about this band; lots of riffing prowess shown, with dark sonic imagery enough to move a landmass, the band unquestionably commands presence with distinct authority. Most of the tracks (6 in all - 4 quite lengthy 10+mins) tend to evolve with a real use of dynamics, but still overtly raw. And finally which maybe a good thing here (?), this band does not really let up for the full course of the disc (except for a small 'interlude'), because that's what these guys are all about. These guys paint seriously dark landscapes & to coin a phrase: this is not for the faint hearted. I'd call it post-rock meets metal (post-metal?).

***I'd be interested in hearing what the 'full-time' metal fans make of this album. I tend to buy some of my ska albums from this mostly metal/hardcore store & so from time to time they are playing something that really grabs my attention (& I buy). However, I just wonder if this is what full-on fans of this genre get into or what they think of this sort of thing? Cheers! BTW, I reckon at times the mix for the cymbals are turned up too high - I don't think it's my hi-fi system!
http://tinyurl.com/ktnr6 (vbr @192-256)

Christopher Marshall 'Strange Waters, Small Mercies' & Charlie Marshall 'Story Of Us'

2006-07-05T17:30:00.000+10:00

Christopher Marshall
Strange Waters, Small Mercies
I find some albums rather difficult to review, this is often because of my lack of knowledge about that particular band as with the Animal Collective (see below), or music that is possibly beyond my realm of technical scope (e.g. like some classical types), however in this case (both presented discs) I have a sense that I'm too close to the music.

Chris Marshall was the one-time lead singer of the seminal Melbourne low-down dirty blues rock band Harem Scarem (not to be confused with the more recent Canadian? rock band w/same name) of the early to late '80s (~82-89). It needs to be known that many notable musicians from that band, like Chris Wilson were participators. From early 7" singles until the Dogman ep the band was known to literally rock out like no other. Chris would lead the way with his incredibly deep vocals & highly charismatic approach. There was hardly another band going around at that time that could match it with Harem Scarem for energy, lengthy blues-like jams & quality performance. They always had an audience enthralled & yearning for more.

The last 2 years of the bands existence with their final album were somewhat different from their beginnings as Chris had left the band & the lead vocal duties were passed on to his brother Charlie. If anybody can find their first ep 'Dogman' or first LP 'Pilgrims Progress' I urge you to snap them up immediately. They will not disappoint if dirty low-down blues is your thing!

This particular 1998 solo release, saw Chris break a long musical hiatus & join some luminary music figures in particular Stephen Cumming (ex Sports & solo artist; accoustic guitar & backing vocals) & Barry Palmer (electric guitar). Although generally a somewhat subdued outing, with very little of the dirty-blues in evidence, the strength of Christophers vocals can be heard from time to time. If looked from merely a singer/songwriter persepctive there are some definite highlights here & generally speaking is not a bad effort. However, it seemed this was not enough to sustain Chris & this would be his only solo effort. MoogPower Rating = 3
http://tinyurl.com/gn8ec (vbr @192-256)

Charlie Marshall & The Body Electric

Story of Us

Charlie Marshall was generally in the shadows of Chris, for the majority of his time in Harem Scarem, except the last cpl of yrs when he took over after Chris departed. Charlie played rhythm guitar (Fender Telecaster) & it looked as if he shyed away from the limelight . However, it was Charlie who pursued his musical aspirations more so than Chris from that moment, albeit not on a regular basis. This was the 2nd Charlie Marshall & The Body Electric release (2000), the first came some 5-6 yrs earlier. Whereas the first full release was somewhat disjointed (although I do like it), this is undeniably cohesive. With new Body Electric band members in place including Cam Butler (electric guitar, see earlier post for solo release), Dianne Peters (Harp), David Cresse (drums, cabassa, tamborine et.al), Chris Chapple (bass) etc. Oh & you must hear the cor anglais (Rachel Coleman) on the final track of this disc. Earlier members included Warren Ellis (Dirty Three).

Charlie playing only accoustic guitar (with band), brings us a highly eloquent & genuinely moving album. Although 1 or 2 trks here are a bit weak (e.g 4 Yarraville girl, in my opinion & for those who don't know it's a well known 'working class' suburb in Melbourne), the highlights definitely overshadow those weaker moments. Charlie seems to recognise his flaws in particular & on this release one hears a very organic or even symbiotic partnership b/w the band & himself as leader; there is no evident one upmanship. No lenghty jams here either, but the trks generally do build with full sound (esp. strings) & all range from b/w 4+ to 6+ minutes. I'd hasten to say trks 6-9 are some of the absolute better 'heartfelt' & articulate moments I have heard in popular music for some time (I still struggle to find better).
MoogPower Rating = 4+
http://tinyurl.com/mamwj (vbr @192-256)
I believe that Christopher's album is not available currently, nor the first Charlie Marshall album, but you can still purchase this one online HERE. Also I have heard there is some chance the Dogman ep & Pilgrims Progress (Harem Scarem) will be re-issued.

Animal Collective 'Feels'

2006-07-03T16:40:00.000+10:00

Animal Collective
Feels
I'm not all that sure what to make about this disc. It was recommended to me, so I went to buy accordingly. However, I was sort of expecting something like one of those New Zealand (Dunedin in particular) bands of the mid 80's or so I was told. Unfortunately, I cannot hear anything here sounding similar & quite honestly am unsure about this regardless. They appear to regularly get high praise in the music press, but I don't think that will sway me.

You can read about them & buy their albums from the label FatCat Records to whom they are signed.

Please let me know what you think of this. I haven't given up on it, but maybe need to be steered in the right direction to understand what it's all about. MoogPower Rating = ???

http://url2share.com/2xbny

***Please see comments to find Califone 'Quicksand/Cradlesnakes' shared by HW in Germany - Thank You! I did not know about this band prior, but on listening to them today are defiintely extremely interesting; at times quite experimental, others rather melodic, sometimes folkish (with fiddle at play) & even bluesy on other tracks with notable strong guitar work; yes all on one disc. I will definitely be looking out for this band in the future & in my music stores. Anybody who knows more about this band please do fill me in (comments section) as even after a brief listen they've grabbed me immediately. And excuse me if this short review is not accurate, but they are my thoughts after only a couple of hearings. Cheers!

Alejandro Escovedo...A sampler by Vaughn!

2006-07-02T22:35:00.000+10:00

Alejandro Escovedo
A Sampler by Vaughn
This is not a genuine release, but a sampler put together by Vaughn for those interested in learning more about this wonderful artist Alejandro Escovedo. It works out to be a dbl disc & compiles much of his essential & some obscure/special release material from the past 12+yrs as a solo artist, although he's been around the music scene since the latter part of the 70's (from my understanding).

In mid 2003 Escovedo was diagnosed with Hepatitis C, a potentially life threatening disease & immediately his musical peers rallied around him to raise funds for medical support by releasing a tribute album 'Por Vida...A tribute to the songs of ...' which included both a diverse & impressive list of artists. I realise he's recently released another album (May 2006), which has been reviewed very highly, but cannot confirm his health status, nor have I heard this disc.

For those of you unfamiliar with this high quality artist please give this a listen. Notes of the albums are included & all credit for this work must go out to Vaughn - he's defininately spent some considerable time putting this together so that you & I can experience the joys of Alejandro Escovedo. Then go out & support Alejandro & buy his albums!

Please, spare a moment to thank Vaughn...as it is his kindness & devotion to sharing his musical passion that brings this to you. Without such efforts 'we' are maybe none the wiser & less enriched musically.

NEW LINK here:
http://tinyurl.com/mho9y
(Alejandro Escovedo - 18/03/05 Photo by: Rob Bleetstein)

Mose Allison 'The Word From Mose'

2006-07-02T18:53:00.000+10:00

Mose Allison
The Word From Mose
For an artist to have been around since the mid 50's & still be relatively little known, despite his large volume of works must say something? In this case I have a feeling that Mose unfortunately has an image problem. For those unaware he's a singer/songwriter & pianist in a jazz/blues mould. Well that's where the major problem seems to lie; he's not strictly jazz, nor blues; although much of his sound appears to stem more from blues than jazz. He's been lauded by many varied artists throughout the years & it's most likely you've heard a Mose track being covered without realsing it was Mose who was the man who penned the tune. I've a 'swag' of Mose albums (10+) on vinyl, but only 2 on cd. This 1964 release is I believe far better than my other 'Lessons in Living' (1982 live), which is possibly the worst Mose disc I have (despite it's very strong line-up), yet this is still far from his strongest, still it's rather good, at the very least to give you an idea of his sound & style.

Nonetheless, as with most Mose albums, the lyrics are quite strong & there are still some excellent 'one-liners' that are bound to make you smile. His vocal style is distinctive, almost gently spoken, but in a smooth 'Southern' kind of way. I generally don't like to single out various tracks in my reviews, but I feel here Foolkiller, One of these days, Days like this, Rolling stone, New Parchman (i.e a reworking from an earlier version 'Parchman Farm') & I'm not talking, are all good representations of Mose, his music & lyrics.
http://tinyurl.com/zvu6k

***Note: Nobody laugh at the album cover; it was 1964 & these days he's worked it out with silvery grey 'longish' hair lookin' kinda cool in a beatnik jazz sort of way!

****Sheez (5, July) 250+ d'loads & not one comment. WoW, it's true Mose (or I) have an image problem; he/I are not worthy of a single comment? WOW.

Linton Kwesi Johnson 'Live in Paris'

2006-07-01T20:42:00.000+10:00

Linton Kwesi Johnson (w/Dennis Bovell Dub Band)
Live in Paris
It was only a month or so back that I posted an LKJ album & also a Dennis Bovell album, but given I really like these guys & I had heard that Milton wanted to hear this album before he placed a special order at his local store, I thought I'd give him the opportunity.

This disc commemorates LKJ's first album 'Dread Beat An Blood' of 25 yrs prior to this 2003 live recording at the Zenith, Paris, France.

Whilst I do not think this is one of LKJ's strongest releases, it certainly is still good & I feel better than his only other live release 'In Concert with the Dub Band' (1985). However, I think it's fair to say that the music here is at time less 'rootsy' & somewhat 'rock', while at the same time a little too light, without the stern & sometimes forbidding feeling found on his better studio work.
MoogPower Rating = 3.5
http://tinyurl.com/q5a5r

***Please see comments for Peeni Waali shared by Milton. The musicians include: Linton Kwesi Johnson, Dennis Bovell, Robbie Shakespeare, Lee "Scratch" Perry, Dean Frazer, Leroy 'Horsemouth' Wallace, Felix, Deadley Headley, Bennet, Rico, Scully, Dizzi & Fizze.
This 'support' is really appreciated - thank you!!

Hector Zazou (w/ various artists) 'Sahara Blue'

2006-07-01T19:35:00.000+10:00

Hector Zazou w/various artists
Sahara Blue
With the large interest shown in the Hal Willner 'Mingus' project here is a project (1992) by Frenchman Hector Zazou based around the poems of Arthur Rimbaud. Musically this is quite different from the aforementioned disc often combining elements of North African music with Western styles of rock & electronica. That said, it may just be that this is over all a more cohesive & emotionally appealing release.

It features, (among others): Bill Laswell, John Cale, Dead Can Dance (Lisa Gerrard & Brendan Perry) Gerard Depardieu, Khaled, Keith LeBlanc, Ryuichi Sakamoto, Tim Simenon, Mr X (David Sylvian) & Hector Zazou.
http://url2share.com/fweh3
*For Kaserio & others who've been having some troubles with the above link here you can find a new mirror: **Please also view comments for a fabulous share from Kaserio of an earlier work by Hector Zazou - merci beaucoup Kaserio!!
http://tinyurl.com/rk95c

(All images are copyrighted by their respective copyright owners)

Stay Tuned...

2006-07-01T11:27:00.000+10:00

Stay Tuned...Just letting you know I've been quite busy, but this evening will have some time to get a few (hopefully) posts together! Until then have fun & enjoy.

Cheers!

2006-06-29T22:12:00.000+10:00

Midlake - Young Bride

Just to give you an idea of their music - sound quality a bit average!

Midlake 'The Trials of Van Occupanther' (Plus bonus disc)

2006-06-29T18:55:00.000+10:00

Midlake
The Trials of Van Occupanther (Plus bonus disc)
I first heard a pre-release single from Midlake ('Roscoe') a few months back & instantly thought this was great. I was under the impression that the band were from New Zealand, although the sound seemed hardly from that region. Friday last week I finally saw the album in my local store & grabbed it immediately. Since that time it has been playing virtually non-stop; at home & in the car.

Well, I found out the band is from Texas & this is their second full release. Earlier releases apparently were somewhat lo-fi in aproach or maybe just sound (not disconcerting to me), but this is not so. Yes, the sound may sound somewhat 70's in spirit, but the production sounds rather precise; far from a big budget lush kind of way, more that this band understood what they were about & the sound they wanted to achieve. Whilst the reviews I've now been reading do not mention anything about CStillsNYoung, this album to me beckons to the best sounds of that kind of style. With repeated, listens although I feel that the first portion of the album is stronger than the latter, it is clearly a strong release. I'd call it solid 'driving' sounds for the greater part, although there are still some delicate moments - just as with CSNY.

This is the Australian & New Zealand - only double disc, featuring (5) never before released trks from Van Occupanther sessions & previous Baloon Maker single, plus some rare trks from the debut EP. (I'm yet to give this disc a spin)!

CD1
http://tinyurl.com/qeux3
CD2 (Bonus Disc)
http://tinyurl.com/fm5eh
***Note: Repaired Links!!

Weird Nightmare: Meditations on Mingus (Various Artists)

2006-06-27T16:10:00.000+10:00

Hal Willner Presents:
Weird Nightmare:Meditations on Mingus
This is quite an interesting release. A tribute to Charles Mingus, Willner brings together an assortment of stellar musicians (see comments) to explore the songs of Charles Mingus. The music presented here is certainly Mingus in spirit, but nothing at all related to his sound. Much of the backing sound was created by eclectic composer Harry Partch using an assortment of odd instruments (in typical Partch fashion), with voice-overs by some of the more distinctive vocalists around (Henry Rollins, Robbie Robertson, Chuck D et.al). Although the album contains many disparate elements that try and reflect Mingus' complex life & music they are mostly well executed making this release simultaneously entertaining & emotionally rewarding.

The cd comes with a detailed 22 page booklet with extensive liner notes, including words by Sue Mingus. This album is well worth searching out.
MoogPower Rating = 4

Weird (Trks 1-10)
http://tinyurl.com/o5bsd

Nightmare (Trks 11-19)
http://tinyurl.com/hojf6

***Sorry that this is arriving in 2 parts, but being over 100mb I had tried 'megaupload' earlier (without success) & so then decided to divide into 2 & upload that way. Cheers!

Zapp 'Zapp'

2006-06-26T19:00:00.000+10:00

Zapp
Zapp
1980 was the year & musically speaking it was very much a year of change. Punk was essentailly over, the same too can be said of disco, so it become a time for change, but also a time for opportunity, especially for many revivalist styles such as neo psychedelia & funk. That said, it is not to say that there were not many original bands, creating very much their own sounds, some of which were to last for many years & become groundbreaking artists for many groups today (across a wide scope of musical genres).

This by way of example is one of the best funk albums that would emerge throughout the decade (although somewhat underestimated). Essentially a family group with Roger Troutman as frontman (vocals, guitar), although other musicians were acquired later, they brought to funk a new computer element with the vocoder talk boxes. Produced by Bootsy there is (as to be expected) plenty of 'space' bass to be heard here.

In 1999 after apparanet murder suicide Roger Troutman was found shot and critically wounded outside a recording studio in Dayton, Ohio. He died during surgery at a local hospital. Roger's brother Larry was found dead in a car nearby with a single gunshot wound to his head. It was thought a personal dispute had developed between the two brothers & Larry shot Roger, then shot himself.

Samples from this album (in particular) & others were regularly used by hip-hop artists throughout the 80's & early 90's. Of particular note Roger's voice is unmistakenly heard on Tupac Shakur's hit from the mid 90's California Love. Zapp were to record another four albums beyond this & then Roger to record a number of albums under his own name.
http://tinyurl.com/efz2w

Bullwackies All Stars 'Dub Unlimited'

2006-06-26T12:47:00.000+10:00

Bullwackies All Stars
Dub Unlimited
This is an excellent dub album that was originally released in 1976. This album comes with no liner notes whatsoever therefore I cannot tell you very much about this release. What I can tell you is that reggse/dub producer Lloyd 'Bullwackie' Barnes emigrated from Jamaica to New York in the early 70's where he set up his own studio. The musicians & other producers who played on the various releases became know as the Wackies.

This selection brings together a series of 7" & 12" cuts highlighting the labels typically expansive & heavy dub sound.

http://tinyurl.com/gjeez

African Head Charge 'Songs of Praise'

2006-06-26T10:23:00.000+10:00

African Head Charge
Songs of Praise
This is said to be the album that all other works by AHC are compared to, previous or latter. The band works around the percussion talents of Bonjo Iyabinghi Noah after the demise of Creation Rebel (see post June, 2), with the beats provded by 'Style' Scott & typically produced by Adrain Sherwood (Tks. 11/13 produced by Martin Frederix). Whilst the previous album 'Off the beaten track' moulded the players into a genuine band now playing live; they became a more focused & less abstract unit. However, it was on this 1990 release that all their ideas & talents were totally fused & garnered with very few obvious glitches.

The titles of the tracks here often tell the story (see comments) & although this band are categorised into the reggae/dub genre, they are far from typical & possibly more aptly described as electro/dub with chants!
MoogPower Rating = 4+

Just out of interest the album gives thanks to Robert Marshall & Dr. Lion (I do not know who they are), but also quite interestingly Alan Lomax - the American 'folklorist', musicologist & DJ who roamed the countryside in search of people singing songs of their own lives (for field recordings), whereby many Americans learned first hand about the range of 'folk' music. Although spending much time in America's South he also worked overseas. The archive of American Folk song took shape in the Congress Library under his guidance & the majority of fok singers in the 60's were influenced by those recordings.

***Note: this is the original UK version (On-U Sound) that has 14 tracks, unlike the US version (Restless records), that only has 13 tracks or the Japanese reissue that has 2 bonus tracks.
http://tinyurl.com/gnu2a

Orchestra Baobab 'Bamba'

2006-06-24T18:21:00.000+10:00

Orchestra Baobab
Bamba
These two albums (Mouhamadou Bamba and Sibou) were originallyreleased in 1980 and 1981 in Senegal, and highlighted Orchestra Baobab at the top of their stellar career. The unforgettable voice of Thione Seck is at the forefront, they put across their message in the form of traditional Senegalese melodies in Wolof and Mandinka, employing the rich effects of Cuban 'son' rhythms that were totally dominant in West African popular music at the time. Also central were the jazzy brass arrangements, hypnotic grooves and of course Barthelemy Attisso's lightening quick guitar play.

It's often thought that Pirates Choice is their definitive or classic album, but compared to this is somewhat timid; this being more upbeat & rockin' album. It's possibly that some critics preferred a more 'rootsy' approach with rhumba style taking greater prominence than here. Nonetheless, both albums are unquestionably considered classics of West African music, which you prefer I believe is simply a matter of choice.
MoogPower Rating = 4

http://url2share.com/nehvc

***Note (July 7th): For those who requested...NEW LINK HERE:
http://tinyurl.com/eawmr

2006-06-23T21:01:00.000+10:00

Serge Gainsbourg vs. Whitney Houston

The Always Charming Serge

I don't know if you've seen this before, but I only just stumbled on it. You can see at Serge's age charm is a hit & miss affair. Nonetheless, I still really dig his music. Enjoy!

The Dumb Earth 'Dry Land'

2006-06-21T10:45:00.000+10:00

The Dumb Earth
Dry Land
Melbourne band The Dumb Earth (although originally from Adelaide S.Aust) is essentially the medium for singer/songwriter David Creese. After recently posting a Morphine album, this particular release aptly follows with a somewhat similar kind of sound. Although currently a six piece band (plus 4 additional string players), the sound is generally sparse in approach & as with Morphine ideally conjures images of low-lit smokey bars. However, the lyrics here are generally rather dark & the sexual tension often hinted at in Mophine's music is replaced here by a sense of walking dark alleys late at night in a 'hard-boiled' b&w crime thriller.

Having played around Melbourne for over 10 years now, this 2005/6 third full length in nine years (not including 'Old Days' rarities from 1993-2004) is problably their most fully realised album. Often described as 'jazz-noir' or 'music for night owls' I hear hints of Tom Waits' bluesy influence on some tracks amongst an album of carefully crafted 'mood' music. They are certainly a unique act in Australia. Highly recommended.
They are licensed to uxb Recordings, but cannot find a web site for them, so I suggest to buy their albums go here.
MoogPower Rating = 4+

http://tinyurl.com/ougbw

***26 July, Mirror Provided for those having some issues with above link.
http://tinyurl.com/rhxct

Sigmatropic 'Sixteen Haiku & Other Stories'

2006-06-18T13:25:00.000+10:00

Sigmatropic
Sixteen Haiku & Other Stories
This album features the poetry of the well known Greek George Sefaris. A Haiku is a poetic style that began in Japan in the 16thC & spread to Europe becoming popular by the early 20C. The poems translated into Englsh are sung by an all-star cast (including: Cat Power, Mark Eitzel, Howe Gelb, Lee Ranaldo, Laetitea Sadier, Steve Wynn etc; see comments for full listing). Most of the material was recorded in Athens & produced by master producer & multi instrumentalist Akis Boyatsis. The music takes the listener across a sublime journey encompassing many genres from rock - folk though to trip hop & ambient sounds. With the added stories associated with each track this release is somehow transformed into a kind of mystical experience. Your time is well worth investigating this release.
MoogPower Rating: 3

CD1
http://tinyurl.com/pm7ml

CD2 (Limited Edition Bonus Remix Disc)
http://tinyurl.com/nny8a

Morphine 'Yes'

2006-06-17T16:05:00.000+10:00

Morphine
Yes

Three piece (barritone saxaphone, two string slide bass & drums) band Morphine had a style that was very much their own. Combining elements of jazz, rock with a defininte bluesy feel they are unique for their lack of guitars. Generally what leads the sound is the sax. This was their third release (1995) & is arguably their finest release along with the previous album Cure for Pain (which can be found over at Stefan's blog in Paris @ 6 June); although its predecesor is possibly more commercially orientated. The sax is often angular & Sandman's vocals distinctive often verging on spoken. The music here conjures images of a low-lit smokey bar bursting with sexual energy

Generally, most of their albums are quite good & always seemed to receive favourable press. If you are not familiar with this band they are certainly worth a listen, especially given their different approach & how it worked for them.

Discography:
Good (1992)
Cure For Pain (1993)
Yes (1995)
Like Swimming (1997)
B-Sides and Otherwise (1997)
The Night (2000)
Bootleg Detroit (2000)
The Best of Morphine: 1992-1995 (2003)

Sadly, Morphine are no longer due to the sudden on stage death of singer & frontman Mark Sandman in Rome 1999.

http://url2share.com/pbwi8

28th July New Mirrored Links:
http://tinyurl.com/m2esb

School of Emotional Engineering (Self Titled)

2006-06-16T14:24:00.000+10:00

School of Emotional Engineering
School of Emotional Engineering
Melbourne artist Ben Frost is the driving force behind School of Emotional Engineering. Honestly, I do not know all that much about Ben or his band. What I can say to you though is that this 2004/5 release is great. It has the sort of drums/beats reminiscent of DJ Shadow (at times), but overall the tone of the music is dark & more cinematic in approach. The album needs to be listened to wholly; as a soundscape - both forceful, yet still delicate & beautiful & as such is richly rewarding.
MoogPower Rating = 4+
http://url2share.com/3i18r

***If anybody seriously knows a little about this band, I'd appreciate an update in the comments. Cheers!

Rachel's 'The Sea and the Bells'

2006-06-14T12:21:00.000+10:00

Rachel's
The Sea and the Bells
Classical post-rock might be a way to describe this instrumental group of musicians (17 on this release); although the violinist, bassist & pianist form the mucleus & collectively are known as Rachel's. Jason Noble was an original member in Rodan (guitar/vocals) & helped form Rachel's after their demise (if anybody remembers them I have 1 album). The music here is certainly moving & overall somewhat haunting. In a way this music is unaffected by time or era & so will most likely sound just as good in years (decades) to come. The diversity of instrumentation from traditioinal (e.g violin/cello/piano) to more obscure sounds (e.g saw, linen sheet, bells) keeps the listener's interest level high. The packaging is quite beautiful, although somewhat sombre, which sets the scene for the music contained within. The booklet makes mention that the title The Sea & The Bells (EL MAR Y LAS CAMPANAS) was inspired by the book by Pablo Neruda (1973) & translated by William O'Daly (1988). He was a Chilean poet/author, Nobel Prize winner for literature (1971) & diplomat. For those who are familiar with Rachel's, but not necessarily this album, it certainly will not disapppoint. Others whom may enjoy instrumental music, verging at times toward classical ambient, but clearly unaffected by various trends will like this & most likely be eager to hear more from Rachel's.
MoogPower Rating: 4

http://tinyurl.com/lwuyd

The Triffids...An Announcement

2006-06-14T08:54:00.000+10:00

The Triffids are to reform & will play live for the first time since August 1989 in Belgium (Hasselt) this month (23&24). The original band members will share the singing load, but will also include Mark Snarski (Chad's Tree & The Jackson Code) for 5 or so songs that require a 'special' singer for the task according to Alsy on radio interview this morning.

Those in Europe look out for their upcoming tour; it will be quite an event.

Cheers!

The Bamboos 'Step It Up'

2006-06-12T13:30:00.000+10:00

The Bamboos
Step It Up
Think here the JB's mixed up with The Meters & you'll get the idea what The Bamboos are all about. Very tight, but raw & energetic 'deep' funk often with extended drum breaks (especially live), this current band from Australia (although the guitarist & founding member Lance Ferguson is originally from New Zealand), have a retro feel, but do not what you to think that the music is only about yesteryear. It is music for dancers, partygoers & those wanting to have a fun time today.

This 2006 release is the first full album by the band, but from their first 7" which Kenny Dope & Keb Darge released (Kay Dee Records) the world has since been on noitce.

http://tinyurl.com/jkadw

***The Bamboos will be playing in Belgium (Leuven), Thurs 15th June. Please check your local 'gig' guide or ticketing agency to find out the venue & price!

Sub Dub 'Dancehall Malfunction'

2006-06-09T20:14:00.000+10:00

Sub Dub
Dancehall Malfunction
I plan to be going away for the weekend (Dreaming Festival - Indigenous Culture), so take or leave this upload as is. Note: this has nothing to do with indigenous culture, but maybe I can come back with somethings that does?
Cheers!
http://url2share.com/sgbqg
I will update (hope to) this once I return...

***Feeling a little bit lazy now, track list etc in comments, thank you groovenor, seems quite popular as is already, so I'll just leave it with ya. Ciao.

Sonny Sharrock 'Ask The Ages'

2006-06-08T17:17:00.000+10:00

Sonny Sharrock (1941-1994)
Ask The Ages
For those of you who read any of my reviews, you may have noticed that they are my own thoughts & I DO NOT copy others reviews. This means I have my own opinions about the music, some of you may agree with & some may not, but also I am not influenced by the music press or am not writing for an editor or a music company; so am not being pressured to write something I do not believe.

However, for this 'special' release (as I'm told it's no longer available & selling for a heap of dough online supposedly?), I'm going to use anothers review because I believe it's written in precisely the concise manner, yet still with enough detail that's suited here:

"One of the most under-recognized voices in modern jazz, Sonny Sharrock was among the first certifiably 'free' guitarists. His forceful, often discomfiting playing favored harsh melodic contours and oblique modal harmonies--heavily influenced by the 'energy' school of free jazz tenor saxophonists. He perfected a skittish, 'shards of glass' technique equivalent to Albert Ayler's buzzsaw trills, as well as a formidable, unique approach to slide guitar. Sharrock, however, was a wildly eclectic musician, devoting as much time--on record--to soul-jazz and noise rock as more traditional "free" forms. Recorded after his return to the free scene as electrified 'enfant terrible,' Ask the Ages offers listeners an opportunity to hear Sharrock in a more familiar context. It just happens to be his masterpiece.

Ask the Ages stands apart from Sharrock's revolutionary 60's work for a variety of reasons. The compositions are among the best of the guitarist's career, informed by the tradition of Coltrane and Pharoah Sanders, but more wholly involved than much free writing of the 60's. Here, the leader is aided by producer Bill Laswell, whose penchant for multitracking endows Sharrock's tunes with a greater sense of depth. The backing band, too, is nothing to scoff at; Sharrock is joined by Sanders, bass dynamo Charnett Moffett, and Coltrane's former drummer, (the clinically BAD) Elvin Jones. This is perhaps the most combustible group of the guitarist's recording career, but the combo's more explosive tendencies are tempered by a fine sense of dynamics and subtlety. Sonny, though, is the star; his "mature" style, which coalesced upon his reemergence in the 80's, is a wonder to behold. There is a definite sense of gravitas to his lines, a dense, compelling logic neatly counterbalanced by weighty tone and a wildly idiosyncratic sense of melodic development. This is no skronk-fest; "Ask the Ages" is as finely constructed as any free jazz album in the canon, a gorgeous portrait of a master improviser in the prime of his life. Remarkable, considering the fact that it would be his final ("real") album.

Very highly recommended for fans of free jazz, free improvisation, and creative modern music in general. It honestly doesn't get any better than this." Leone Evangelista.

Seems all the reviews I have read give this album a 5 star rating. I think I have to agree almost...
MoogPower Rating: 4 3/4 (just not quite 5 - I am tough)
http://tinyurl.com/mphjb

Dirty Three 'Horse Stories'

2006-06-08T13:07:00.000+10:00

Dirty Three
Horse Stories
In light of the upcoming gig Fri 16 June with Dirty Three, Ed Keupper/Jeff Wegener & Lawrence English (support) in Brisbane (Tivoli) & touring nationally (please check to see dates & support acts), I thought I should introduce those unfamiliar to Dirty Three (one of my all time fav bands). Warren Ellis (violin), Mick Turner (guitar) & Jim White (drums) collectively form this somewhat experimental instrumental (post-rock) trio from Melbourne.

The list of credits for Mick Turner & Jim White especially prior to the formation of Dirty Three (1992) are long indeed. Whilst Ellis was at that stage somewhat of a newcomer, although quickly making a mark played with many bands such as Kim Salmon, The Black Eyed Susans, Tex, Don & Charlie, Nick Cave (& now officially a Bad Seed member) et.al. Mick was a member of The Sick Things, Fungas Brains, The Moodists etc & Jim early Hunters & Collectors, People with Chairs up their Noses etc & were both members of Venom P. Stinger. Mick & Jim have whilst being apart of Dirty Three, played with Will Oldham (Bonnie Prince Billy), formed the Tren Brothers, played with Cat Power etc. Today the list of credits is simply too long to note everything achieved by all of these musicans.

Horse Stories was the bands third release, although 'Sad & Dangerous' was only released posthumously after their self-titled album. It was this release that cemeted the bands burgeoning status & helped them diversify & expand their support. (It was roughly about this time that queues of fans were lining up to see the band perform live; they are dynamic).

As with all Dirty Three material the violin is the focal point, but it is here that the band shows a greater understanding & unity together. Whilst there are times that the band fully rock out with distorted violin, complex drumming, generally now there is a greater emphasis on beauty & tranquility, but that is not to say that the album is altogether slow. I'd say that they finally found their niche & whilst experimentation might be significantly less by way of lengthy distorted/noise outings, they still will take you on a journey. Now.. enough of me!
MoogPower Rating = 4.5
http://tinyurl.com/pmg2t

(Cover art by Mick Turner)